Remember the Iverson Movie Ranch rock that Norma Shearer sat on in 1925? It has been found!

"Excuse Me" (1925): promo still from Marc Wanamaker's Bison Archives

Back in December we discussed this promo still for the silent movie "Excuse Me," starring Norma Shearer. At the time I published the post — click here to see it — I had already begun searching for this site.

Nyoka Cliff in the background narrowed down the location, making for a rock hunt that "should" have been easy. But these things are rarely as easy as they should be, and the search turned out to be a challenge.

My focus was mainly on finding this rock, which has enough markings on it to be easily recognizable. The reason it was the key rock, in case it's not obvious, is because Norma Shearer sat on it.

Less important was the rock that her co-star Conrad Nagel sat on, and the reason, while admittedly shallow, is again fairly obvious: Nagel wasn't anywhere near the Hollywood legend that Shearer was. (Did you really think I would admit that it's because his butt was less interesting than hers?)

The overriding goal was to find the entire group of rocks, but I knew if I did find any of the rocks, I'd probably find them all. To help in identifying individual rocks, let's call them Rocks A, B, C and D.

Garden of the Gods, 2018: A dead tree in a logistically important area

On an early pass through the area I noticed that a dead tree had fallen over, right in the target zone. Not only was the tree obstructing the view of Nyoka Cliff, but it might also be concealing historic movie rocks.

I initially dismissed the "dead tree problem" and continued to explore the adjacent area in search of the Norma Shearer rocks. It felt a little "too obvious" to blame the tree.

But I noticed early on that the shape of one nearby rock was similar to that of "Rock D" in the 1925 photo. And by my third or fourth expedition — as the Norma Shearer Rocks persistently failed to turn up anywhere else — I became convinced that the rocks must be hidden under the tree after all.

Possible "Rock C," center

Delving a little more deeply into the tree and its maze of dead brush, I was able to get a look at what appeared to be Rock C ... but the elusive Rock B, where Norma Shearer sat, remained mostly buried under dead branches.

The Norma Shearer Rocks — Free at last!

As luck would have it, I discovered on a subsequent visit that someone had done some badly needed clearing work and had removed part of the dead tree — effectively liberating the Norma Shearer Rocks.

Now Rocks A, B, C and D can all be identified again. It appears that the spot where Conrad Nagel sat is an extension of Rock B, which is wide enough to have accommodated both lovebirds.

Closeup of the Norma Shearer-Conrad Nagel "loveseat" as it appeared in 1925

It has been almost a century since Norma and Conrad hugged it out on Rock B, and the passage of time has taken a toll on their sandstone-upholstered loveseat.

The surface of the rock as it appeared in 1925 bears little resemblance to its contemporary counterpart after a number of the boulder's most distinctive nooks and crannies have either eroded or simply fallen off.

A few key markers, however, remain in place today, even if it takes careful examination to find them.

Notice the raised "blob" outlined here in red, protruding from the rock's surface.

The same raised chunk of rock can be found affixed to the larger rock in 1925, although it is camouflaged to some extent by an "extension" sticking out below it that later fell off.

Super closeup of the key "blob"

To understand how this 1925 version of the rock hunk translates to the current rock, let's take an even closer look at that critical blob of sandstone near the top of this interesting rock.

The area highlighted here tells an important part of the story.

The same "blob" in modern times

The yellow outline on this contemporary version of the rock designates approximately the same area.

Inside the yellow outline we find a "main blob" that remains attached to the rock, along with an area where the lower "extension," which was still present in 1925, can no longer be found.

We can readily identify the missing piece, along with the main blob, in the 1925 photo.

A "fault line" can be discerned in 1925 between the main rock hunk and the piece that would later fall off.

The fault line that was in place in 1925 matches the crescent-shaped break left behind when the lower extension became detached from the rock.

Near the fault line is another obvious marker, sort of a "tab" that's squared off at the bottom.

The same tab can be seen in 1925, but here again, the tiny feature's overall appearance was a little different then because it was surrounded by bits and pieces that have since fallen off.

Similar markers can also be found in various other places on the rock. Have fun trying to find them, if you're so inclined — but I hope you don't go off the deep end with it, as I kind of did.

Norma Shearer (publicity still, ca. 1930)

The presence of an actress of the stature of Norma Shearer on the Iverson Ranch during the silent film era is a reminder of the vital role the ranch played in the early evolution of the film industry.

Shearer was one of the biggest movie stars of the 1920s and 1930s. An Academy Award winner for the early talkie "The Divorcee," released in 1930, she became a fixture at the Oscars for the next decade.

Touted at the time as a film that "exposes the hypocrisy of modern marriage," "The Divorcee" was unabashed in its exploitation of Shearer's reputation for playing "liberated women" on the big screen.

The 1930 ad for "The Divorcee" asks, point blank: "If the world permits the husband to philander — why not the wife?" With the Hays Code still a few years away, Hollywood was in the throes of its first sexual revolution.

Power couple: Shearer and Thalberg at the White House in 1929

Shearer was married to pioneering movie producer Irving Thalberg for a good chunk of Hollywood's Golden Age — from 1927 until Thalberg's death in 1936.

Norma with her Oscar for "The Divorcee"

She was the exception to the rule of silent film stars who couldn't make the transition to the talkies. Shearer would establish herself as the Meryl Streep of the 1930s, chalking up six Oscar nominations during the decade.

Norma Shearer "on the rocks" in 1925

We're fortunate that the Norma Shearer Rocks were spared the destruction that claimed much of the former Iverson Ranch when development inevitably cut a swath through the northwest San Fernando Valley in the 1980s.

The Norma Shearer Rocks today

The rock formation stands today as one of hundreds of unheralded, and in many cases undiscovered, monuments to the decades in which our shared cultural history was shaped on the Iverson Movie Ranch.

Map to the Norma Shearer Rocks

To find the Norma Shearer Rock location, park on Redmesa somewhere around Lone Ranger Rock and find the blue-green gate on the west side of the road. Follow the trail up, as noted here by the dotted red line.

Gems from the Bison Archives: Bob Hope visits Lone Ranger Rock, Tom Mix gets vertical ... and I'll have a Norma Shearer on the rocks

Promo still for "Never Say Die," 1939 (Bison Archives)

Here's a fun shot that surfaced recently from Marc Wanamaker's Bison Archives, an indispensable resource for historical Hollywood photos. Marc has been a big supporter of my research and of the Iverson Movie Ranch Blog.

The photo was taken during filming in the Iverson Gorge in late 1938 for Paramount's 1939 comedy "Never Say Die." The scene finds Bob Hope reluctantly taking part in a duel under the watchful eye of Lone Ranger Rock.

A lobby card for the movie contains a photo taken in almost the same spot, and again Lone Ranger Rock appears in the background. But with the top of the rock cut off here, it would have been hard to ID from just this shot.

A screen shot from the movie provides a wider view of the scene, with the action taking place on the plateau above the Lower Gorge. The rock towers of the Garden of the Gods loom in the background.

Almost unnoticed at the edge of the frame, Lone Ranger Rock continues to oversee the action.

For the shoot, the production team installed a small fence at the edge of the plateau.

Bob Hope in "Never Say Die"

Bob Hope stands near the fence in this shot from the movie. You may recognize the rocks and hills in the background, which are located southwest of the Iverson Ranch, below Santa Susana Pass Road.

The producers also created some "movie magic" in post-production, blending footage of the Iverson Gorge with a painted background featuring wild trees and huge snow-covered mountains.

They went just a little crazy with the special effects, but it's a fun use of the Iverson rocks.

Promo still for "Dick Turpin" (Fox Film Corp., 1925)

Another intriguing shot that recently surfaced from the Bison Archives is this promo still for the 1925 silent movie "Dick Turpin," starring Tom Mix. It's a historical adventure in which Mix plays an English highwayman.

It's easy to miss Tom Mix, who's dwarfed by the unusual rock features as he appears to climb a large vertical crack in one of the rocks. I was initially unable to identify this scene as being shot on the Iverson Ranch.

The designation at the bottom includes the reference "Bly 34," pinpointing the photo as a promo still for the movie "Dick Turpin." The "Bly" part refers to the movie's director, John G. Blystone.

The "Dick Turpin" promo shot in the photo's proper orientation

Somehow it occurred to me to rotate the photo to get a fresh perspective, and suddenly it made sense. The photo had been rotated 90 degrees for the promo still, but this is its correct orientation.

The Sphinx, in the Iverson Movie Ranch's Garden of the Gods

It turns out Mix is "climbing" — or crawling, to be more accurate — along a horizontal crack in the heavily filmed Iverson rock feature known as the Sphinx.

Mix was photographed along the northwest corner of the sandstone behemoth. He was up pretty high, presumably having been placed there through the use of a ladder or scaffolding.

One thing you almost can't help noticing in the promo still is this upside-down "tree," which doesn't belong there and is probably a fake that the "Dick Turpin" team installed.

"Ben-Hur: A Tale of the Christ" (MGM, 1925)

We can see in this screen shot from the silent "Ben-Hur," released the same year as "Dick Turpin," that no such nature-defying tree actually existed in that spot.

The two shots from 1925 also showcase an optical illusion I've always found fascinating. The "Ben-Hur" shot appears to contain a "mystery circle."

When one visits that corner of the Sphinx today, it is difficult to discern whether the "mystery circle" remains in place — especially from ground level.

Drone shot taken in 2017

But in fact, the illusion remains intact, as this drone shot taken by Dennis Cohee in 2017 illustrates. When we're able to view the rock from an elevated position, the circle appears.

Even with that dumb tree in the way, the "Dick Turpin" photo is the missing link that brings clarity to the mystery. The photo reveals that the "circle" is formed by a combination of a more or less circular hunk of rock along with a fortuitously positioned hole to its immediate left.

"Ben-Hur": The illusion of the perfect circle

The angle seen in "Ben-Hur" tightens up the illusion by making it almost perfectly circular.

Tom Mix and Kathleen Myers in "Dick Turpin" — not exactly an Iverson movie

It should be noted that the movie "Dick Turpin," at least in its surviving form, does not contain the Sphinx shot, nor does it include anything readily identified as Iverson. It may be that only the promo still was shot at the ranch.

This is the same corner of the Sphinx we spotlighted in a recent post about an "intruder rock" that fell sometime after the filming era. Please click here if you haven't seen that post — or just want to refresh your memory.

As luck would have it, the "Dick Turpin" photo pinpoints where the intruder rock was situated before it fell. The photo provides the best look by far that I've seen of the rock when it was still perched up high.

When the rock fell, it failed to dislodge a small rock feature that had been sitting directly in front of it. This small rock can be identified both in the 1925 photo and in recent shots.

The intruder rock area in 2018

Given the intruder rock's rounded shape, it may have been inevitable that it would roll off, whether it was prompted by an earthquake or just got sick of being stuck there. Maybe a bug moved and that was all it took.

Regardless of how it got there, the restless rock has settled in nicely, and the area appears to be stable now.

Promo still for "Excuse Me" (MGM, 1925): Nyoka Cliff in the background

Still another gem from the Bison Archives is this promo still for the silent comedy "Excuse Me," starring Norma Shearer and Conrad Nagel. Watching the young couple embrace are actors William V. Mong and Edith Yorke.

The photo is taken looking east from the Garden of the Gods toward Nyoka Cliff. Thanks to this photo we can add Norma Shearer's name to the list of huge stars of Hollywood's Golden Age who worked on the Iverson Ranch.

Norma Shearer in "He Who Gets Slapped" (MGM, 1924)

One of MGM's top stars of the late silent era and into the 1940s, Shearer made her mark playing sexually liberated women — one of the first major actresses to do so.

Shearer shows off her Oscar in 1930

Nominated six times for Academy Awards for her leading roles, Norma won her only Oscar in 1930 for MGM's "The Divorcee." She was nominated twice that year, including one for MGM's "Their Own Desire." 

"Upstage" (MGM, 1926): Norma reaches new heights

Like most teenage girls, Norma had her "massive beehive" phase. I grew up in the East Valley and had a big sister, so this is nothing new to me.

Norma dazzles in her new hat in "The Tower of Lies" (MGM, 1925)

She also could rock a funny hat if the producers insisted.

Norma Shearer on the rocks ... sounds like it would make a fine cocktail

Speaking of rocking, Norma wasn't just another pretty face in the rocks. While she was at Iverson for "Excuse Me," she got out there and got her hands dirty shooting the film's rocky climactic action sequence.

It's a hard movie to find, and as it turns out, Norma's rocks are hard to find too. I've already been out to Iverson on an "Excuse Me" hunt, and was reminded that these things are never as easy as they should be.

This one should be a slam-dunk: Just line up the rocks above Nyoka Cliff. Well, excuse ME! I got close, I'm sure, but no cigar ... and no sign of the rock that once had a moment with Norma's ... um ... photo shoot.

The "other woman" in the movie is played by French actress Renee Adoree. That's Adoree draped over Nagel this time, in position to make her move while Nagel and Shearer squabble.

"The Michigan Kid" (1928): Conrad Nagel and Renee Adoree

Adoree and Nagel apparently hit it off. They went on to work together in five movies, including making the jump to Universal for the 1928 melodrama "The Michigan Kid."

"The Cossacks" (MGM, 1928): Renee Adoree and Ernest Torrence

Adoree also tangled with the feared contrabass balalaika in "The Cossacks," another silent movie filmed on the Iverson Ranch. From the looks of that thing, we may be lucky the movie was silent!

"Heaven on Earth" (1927): Renee Adoree on mandolin, with Conrad Nagel

But Adoree apparently did have some musical chops. They found a more "size appropriate" instrument for her, something in the mandolin family, in MGM's "Heaven on Earth."

"The Pagan" (MGM, 1929): Adoree with Ramon Novarro

The diminutive Adoree was downsized all the way to a ukulele for "The Pagan."

Adoree in a photo shoot for "The Cossacks"

Born in Lille, France, Adoree was the daughter of circus performers and got an early start in showbiz. As a youngster she toured Russia — where herds of wild balalaikas reportedly still roamed free at the time.

"The Big Parade" (1925): Adoree reminds John Gilbert what he's fighting for

Adoree, whose stage name means "adored," was apparently a good kisser. She practiced on John Gilbert in "The Big Parade," considered by many historians to be one of the best films of the silent era.

"Forbidden Hours" (MGM, 1928)

She later got to show off her skills for Ramon Novarro.

"Exchange of Wives" (1925): Renee Adoree and Creighton Hale

Adoree even wound up in bed with a snoozy Creighton Hale, in the provocatively titled "Exchange of Wives." This was years before the Hays Code forced Hollywood to pretend it didn't know about the birds and the bees.

"Back to God's Country" (Universal, 1927)

Renee's "adorableness" may have got her in trouble during filming on "Back to God's Country." In a juicy rumor right out of "Hollywood Babylon," she was accused of an illicit affair with director Lynn Reynolds.

Renee Adoree at home by the fireplace, circa 1927

As the story goes, Reynolds' wife, actress Kathleen O'Connor, got vocal about the alleged affair during a dinner with cast and crew, prompting Reynolds to ruin the party, first by hitting O'Connor and then by killing himself.

Renee Adoree — publicity still for "Rose-Marie" (1928)

Life wasn't all that kind to Adoree either. She lived to be just 35, dying of tuberculosis on Oct. 5, 1933.