Why we love old movie locations — especially the Iverson Movie Ranch

For an introduction to this blog and to the growing interest in historic filming locations such as the Iverson Movie Ranch — the most widely filmed outdoor location in movie and TV history — please read the site's introductory post, found here.
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Showing posts with label Hook Rock. Show all posts
Showing posts with label Hook Rock. Show all posts

Tuesday, September 10, 2013

Ma and Pa Kettle's Wild Ride: The rural American archetypes take a "shortcut" through the Iverson Movie Ranch — see the video below

The archetypal rural American characters Ma and Pa Kettle, played by Marjorie Main and Percy Kilbride, were featured in a series of popular comedy movies released by Universal over a period of about 10 years starting in the late 1940s.

Pa Kettle behind the wheel, with Ma riding shotgun during rampage at Iverson

The fourth installment in the 10-movie series, "Ma and Pa Kettle Back on the Farm," from 1951, included a wild jalopy ride that covered much of the Iverson Movie Ranch, along with a few other spots in Chatsworth, Calif. The sequence provides a high-speed scenic tour of Iverson, and ranks among the most memorable action sequences shot at the ranch.

Early in the sequence the Kettle clan arrives in the family convertible at the old Chatsworth Train Station, which was torn down around 1962. The station was next to the train tracks that roughly follow Canoga Avenue, between Devonshire and Lassen. (Please click on any of these photos to enlarge them.)

In this shot the car enters Sheep Flats on the Iverson property, with a nice view of Smooth Hill in the background — complete with the same telephone poles that occasionally snuck into the old Westerns as anachronisms. The Indian Hills Mobile Home Village now fills Sheep Flats, and Smooth Hill was leveled when the 118 Freeway came through in the late 1960s. The top half of Smooth Hill is now gone, replaced by a large apartment complex and some condos — as seen in the photo below.

This is all that's left of Smooth Hill today, dominated by the Summerset Village Apartments, with a few condos visible at the far left and the 118 Freeway slicing through the middle of the shot.

Another shot from the Sheep Flats sequence reveals that the filmmakers brought in a few cows — presumably to add to the rural feel of the movie. They would have had to pay a small daily fee per head of livestock to the Iverson family as part of the price of filming at the site.


Later in the sequence, Pa Kettle's "shortcut" takes the group through Iverson's Upper Gorge, roughly following the course the Lone Ranger rode on Silver in the opening to the TV show "The Lone Ranger." When the Lone Ranger got to about where the car is here, he turned right and rode up to Lone Ranger Rock — visible at the far left in the above shot. The Lone Ranger then famously reared up on Silver at the start of each episode, and could be heard shouting his trademark "Hi-yo, Silver!" Most of the rocks in the above shot, including Lone Ranger Rock, remain in place today and are in an area that has been preserved as a park.

This shot — a rare view of the Iverson Movie Ranch without any rocks — shows the Kettles powering through Iverson's eucalyptus grove.

In this scene the old jalopy is traveling along the stagecoach road at bottom right, with the large boulders making up Lower Nyoka Cliff in the bottom left corner and Stoney Point in the background, along with a portion of the road that would now be Topanga Canyon Boulevard. (Back then it was Santa Susana Pass Road.) For the record, the so-called stagecoach road, which ran below Nyoka Cliff, was never a real stagecoach route. But it was used so often as a stagecoach road in the old Westerns that it became known as the stagecoach road and that's what it's still called.

Here's a nice view of the corral area directly south of Iverson Village, complete with hay bales that were probably brought in special for the movie — in fact, I'm sure of it, because at one point Pa Kettle crashes into the hay bales. In the background are Hook Rock, just left of center, Lash LaRue's Arch, partially visible to the right of Hook Rock, and a number of other rocks that collectively are called the Cave Rocks — although from this angle I usually call them the Corral Rocks.

The Middle Iverson Ranch Set is prominently featured in the jalopy sequence, including the above shot of the bunkhouse. You'll know you're at Middle Iverson when the car rips through a bunch of laundry hanging on a line.

The Kettles speed through an area north of Garden of the Gods that I call the North Cluster. Today this area borders the Cal West Townhomes development, and some of these rocks have been destroyed while others survived. The large rock at the top-center of the photo — which I call Faux Hangdog 1 for research reasons that are too complicated (in other words, too embarrassing) to get into here — can still be found today. But it's a hard one to locate, as it is now concealed beneath a large tree. The rocks in the foreground have been removed, and condos now stand in that area.

The clip below contains the bulk of the jalopy ride, including most of the shots seen above. The clip includes much more Iverson material than I've been able to spotlight in photos. The clip consists mostly of Iverson footage, but does briefly show one building that was non-Iverson, along with a couple of additional train sequences that are shot nearby in Chatsworth but not at Iverson — including a nice shot of the train emerging from the tunnel above Chatsworth Park. The Smooth Hill/Sheep Flats sequence mentioned above appears a little bit earlier in the movie and is not included in the clip.

Here you go — hang on:






Monday, February 11, 2013

It's one of those movies where the rocks have faces — oh, do they ever!

"The Trusted Outlaw" (1937)

The shots in this blog entry are all from the Bob Steele B-Western "The Trusted Outlaw," filmed at the Iverson Ranch in Chatsworth, Calif. Your mileage may vary, and probably will — and that's probably a good thing. But I'm seeing faces and more faces in these rocks. For example, in the above shot I can make out at least four or five characters, starting with what looks kind of like a claymation clown with multiple faces, on the right side of the shot.

This thing.

And plenty of other "characters." Just look around.

This is a nice view looking southwest across Sheep Flats, with Split Rock on the left (in shadow), Hook Rock on the right and Church Rock in the distance (the small dark, almost horizontal rock visible above the treeline, almost directly above the horse). But what's going on ...

... here?

Here's another screen shot where I think a lot of people would be able to find interesting faces if they wanted to, even though the shot's a little dark. Below are some of my favorite "rock characters" from this shot ...

This one may have a little James Dean in it.

A teenager leaning on a wall? I'm resisting the temptation to say that this unusual movie rock looks like Bob Dylan.

Here's something along the lines of Max Headroom.

There's plenty more where these came from. "The Trusted Outlaw" is a strange movie, to say the least, and it also happens to be one of the greatest Iverson productions ever filmed. The proliferation of weird faces and illusions and what-not in the rocks reminds me of another really weird and wonderful Iverson movie, "Thunder River Feud," which I've blogged about before a number of times — click here to check that one out.

You may also want to click here to see my earlier posts tagged "tricks of light," which include more material along the lines of faces in the rocks. There you'll find the infamous Stegosaurus Caught in an Awkward Moment, Circus Clown in Agony, Man in the Moon, Girl in the Sky and many more. Even the rare and inexplicable Captain Hornblower and White Fang.


Above are some Amazon links in case you're interested in getting ahold of a copy of "The Trusted Outlaw" on DVD.

Tuesday, February 22, 2011

Revisiting the Iverson Movie Ranch locations in "Stagecoach," John Ford's Great American Western

I recently took an in-depth look at director John Ford's landmark 1939 Western "Stagecoach," much of which was filmed on the Iverson Movie Ranch in Chatsworth, Calif. The movie has been a source of confusion and, I think, some misconceptions, especially regarding the construction of sets. I was able to sort out a number of these details this time by going over the movie carefully.

"Stagecoach" (1939) — John Ford's Great American Western

"Stagecoach" contains three main locations represented by sites at Iverson, and they are essentially stops along the stagecoach journey that is the central plot element in the movie. Here are the Iverson sites in the order in which they appear in the movie and along the stage route:


1. Dry Fork way station

Dry Fork is represented by a single-story adobe building at Sheep Flats, west of Hook Rock. Sheep Flats is the area now occupied by the Indian Hills Mobile Home Village, located on Topanga Canyon Boulevard just south of the 118 Freeway. In the above screen shot, Hook Rock is seen near the center of the photo, above the wall and between the stage and the adobe building. Adjacent to the building are a low adobe wall and a wooden gate, through which the stage arrives. This wall and gate are of a similar design to a different wall and gate seen at the next stop along the journey, Apache Wells.


2. The Apache Wells outpost

Apache Wells is depicted only by a wooden gate and adobe wall, as seen in the above screen shot. The set was situated northwest of Garden of the Gods, and is the site of a famous stage arrival sequence with the iconic Garden of the Gods figures (Indian Head/Tower Rock and Eagle Beak/Sphinx) in the background. One of my misconceptions — at least, I now think it was a misconception — was that an actual building was constructed here for Stagecoach. I realized this time around that there is no such building. There are a few shots of an adobe that appear during this sequence, but these look like a studio construction to me. Here's a glimpse of that adobe behind the stage:


Again, I believe the above shot was taken in a studio. Among the visual clues, the background and lighting look like a studio shot. Another clue is that the set is always cut to and cut away from, rather than shot with the rest of the scenery associated with Apache Wells. Even if it is shot on location, there is nothing to indicate that the location is in fact at Iverson. It's worth pointing out that the appearance of this adobe is similar to the appearance of the adobe seen earlier as the Dry Fork way station (see photo above), which was an actual location set built at Sheep Flats. This similarity echoes the similarities in the gates and walls for the two locations. I'm not sure what it means, but maybe the producers were keeping things similar in appearance so they could interchange them if needed — in much the same way that low-budget cowboy stars always wear the same outfit so the footage can be used again and again.


3. Lee's Ferry

Lee's Ferry has been burned out in an Indian attack by the time it appears in the movie. As with Apache Wells, no actual building was constructed for this location. However, an elaborate set has been created to represent the burned remains of the Ferry station. The location for this set is pretty close to Batman Rock, which appears in the shot below. Batman is the large rock at top left that looks like an Indian head. In fact it looks more like an Indian Head than any of the four rocks at Iverson that have been called "Indian Head" — it looks as if it just came off a buffalo nickel. It got the name Batman because of its appearance in an early Batman serial. The set for Lee's Ferry is north and a little bit west of Batman Rock, placing it in close proximity to the set (gate and wall) for Apache Wells. I would say Apache Wells is southwest of Lee's Ferry, but that's a rough approximation.


Lee's Ferry is introduced with a pan shot I've always liked, following the stage as it arrives and slowly revealing the destruction. Early in this pan we see a triple-stacked rock that is obviously fake:


The triple stack is in the top left corner of the above shot.


After the pan showing the remains of Lee's Ferry, the movie quickly cuts to Kern River (above), which is consistent with the kind of "cutting and pasting" Ford does throughout, notably interspersing Iverson and Monument Valley.

Monument Valley, Utah

A number of other shots of Iverson also appear in the movie, but these are generally minor items in the movie. Among them is a brief shot of Hole in the Wall, a feature of the Upper Gorge, just off Redmesa Drive. In the movie it has "smoke signals" coming from the top of it:


Another Iverson feature seen in "Stagecoach" is Hawk Rock, which appears in a brief scene with three mounted riders, Native Americans, descending below it. The rock is shown from an unusual angle that would make it hard to recognize if one hadn't walked along the sidewalk on Redmesa Drive and looked up at Hawk Rock from a bit south of it, which reveals that exact same angle. I've discussed this previously, in an entry about Hawk Rock that can be found by clicking here.

Monday, September 27, 2010

Classic Rock: The Pirate Ship

This blog entry is part of a series on "Classic Rocks" — rocks located on the Iverson Movie Ranch in Chatsworth, Calif., that were featured in old movies, cliffhanger serials and early TV shows.

To me this large cluster of rocks looks like a pirate ship with sails a-billowed, or whatever the proper seafaring term would be. When I discovered it a few years ago in a corner of the Indian Hills Mobile Home Village on a visit to the site of the former Iverson Movie Ranch, I initially didn't recognize the formation from any movies or TV shows. But I had a feeling it would eventually turn up — and it did.

"The Lone Ranger" TV show: "Damsels in Distress" (1950)

Among other productions, it's in some episodes of the "Lone Ranger" TV show, including the "Damsels in Distress" episode as seen above. It's also in episodes of "The Roy Rogers Show," including "Ride of the Ranchers." And it's in a couple of major features: the 1937 Shirley Temple movie "Wee Willie Winkie" and Gary Cooper's 1945 Western "Along Came Jones." Then there's "Ghost-Town Gold," a 1936 Three Mesquiteers picture from Republic. And the list goes on.

From other angles, at least one of the rocks that make up the Pirate Ship is much more common. The rock to the left in the above photos is the western side of a rock that's better-known from its northern side: Split Rock, as seen below.

Split Rock

Split Rock now sits in the swimming pool area of the mobile home park, along with the Cave Rocks (Hook Rock and Big B) and a few others. The riders in the above movie still would be roughly on the deck of the pool if they rested in the same spot today. All of these rocks fall more or less in a straight line running north and south, with the billowed sail of the Pirate Ship representing the southern tip. These rocks can sometimes be seen in the background of shots of Iverson's Western town — usually called El Paso Street or Iverson Village — which was to the west of them (to the left in the top two photos). It's hard to get around to the east side of the Pirate Ship these days, due to signs warning about fierce attack dogs.

Whatever its past glory may have been, these days the Pirate Ship is drydocked up in its obscure corner of the Indian Hills Mobile Home Village, keeping as low a profile as it's possible for something that big and grand to keep. But it's part of what was once a heavily filmed section of the Iverson Movie Ranch.