Taking the "then and now" shot to the next level

"The Fighting Legion" (1930) — Lone Pine, Calif.

I recently discovered the work of film historian and documentary photographer Jerry Condit, whose re-creations of movie location shots elevate the concept of the "then and now" photo to an art form.

Lone Pine, Calif. — photographed in 2009 by Jerry Condit

The above example of Jerry's work showcases one of his favorite filming locations, the Alabama Hills in Lone Pine, Calif. His photo re-creates the shot from "The Fighting Legion" so closely it's hard to tell them apart, as even the shadows are virtually identical. The main difference between the two photos is the presence of horses and riders in the movie shot, which also brings out the imposing scale of the rocky landscape. The two shots are taken almost 80 years apart.

Some of Jerry's photos stand alone — that is, they're not movie re-creations, but scenic shots in their own right, such as the above photo he snapped recently of Iverson's Hawk Rock against a dramatic Chatsworth sky. I recommend clicking on any of these photos to see a larger version.

"Old Yeller" (1957) — Garden of the Gods

Did you cry over "Old Yeller"? Who didn't! In a certain age bracket it's the most remembered childhood movie for a lot of us kids. Parts of the Disney tearjerker were shot at the Iverson Movie Ranch, including the above scene in which Yeller runs through Iverson's Garden of the Gods. I love the way this shot projects how formidable those rock formations are.

The same location photographed in 2014 by Jerry Condit

Still formidable — and pretty much unchanged — more than a half-century later.

"Man in the Saddle" (1951)

Here's a shot taken in almost the same spot as the "Old Yeller" shot, but this one is from the Columbia Western "Man in the Saddle." The all-star cast in the above shot includes, from left, Randolph Scott, Ellen Drew and Guinn "Big Boy" Williams. The guy with his back to the camera is Cameron Mitchell.

The campfire site in 2014 (photo by Jerry Condit)

This is a recent shot of the site where the "Man in the Saddle" campfire scene took place, again in Garden of the Gods on the former Iverson Movie Ranch. The rock in the top left corner with the prominent crack is Mitchum Rock, named after the Robert Mitchum film noir "The Big Steal," in which Mitchum and Jane Greer take shelter behind the rock during a shootout. You can read more about Mitchum Rock and "The Big Steal" by clicking here.

"Saga of the Viking Women" (1957)

 
The original title of this movie, produced and directed by Roger Corman, is considerably longer: "The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent." The title has been shortened in a variety of ways in connection with various releases of the movie, but under any title, the movie is strongly recommended both for its terrific Iverson location shots and because it's a fun movie.

The Viking whipping sequence takes place in central Garden of the Gods, a short distance from the "Man in the Saddle" campsite. Here's the same spot, Viking Whipping Rock, as it appears today, again photographed by Jerry Condit. I have a couple of earlier blog entries about the "Viking Women" movie — including my own attempt at a "then and now" shot for the whipping sequence — which you can find by clicking here.

"Bonanza" episode "The Dowry" (first aired April 29, 1962)

The Iverson Movie Ranch poses more than its share of challenges when it comes to re-creating movie and TV shots. The place has changed a lot since the filming days, and whether it's a condo or an overgrown bush in the way — or a rock or tree that's simply not there anymore — it's often impossible to get the same angle. For the above "Bonanza" scene, filmed on the South Rim of the Upper Iverson, duplicating the angle would have required a scaffold — or at least a good ladder.

The Slates as they appear today, in a 2014 photo by Jerry Condit

But the site is easily identified, even from a slightly lower angle. Looking at this recent photo I sometimes think I still see that rutted road running straight through the middle of the shot, between the two major rock formations.

The two main rocks seen in the "Bonanza" shot and the recent shot are identified above. You can find out why the Tomb has that name by clicking here. This portion of the South Rim remains relatively intact, but other sections have been drastically altered as the native terrain was replaced by large estates.

Bell Location Ranch, in the hills west of Chatsworth

The shoot for the above lobby card for the 1957 Columbia B-Western "Sierra Stranger" took place at Bell Ranch, west of Chatsworth and south of Santa Susana Pass Road off Box Canyon — a few miles southwest of the Iverson Movie Ranch.

Here's a promo still for the movie that uses the same photo as the lobby card, but in the original black and white.

The same location in 2014

Jerry Condit took this photo on a recent trip to Bell Ranch. You can probably see right away that it's all the exact same rocks seen in the promo shot, along with the same road in the foreground.

"Cripple Creek" (1952) — the Upper Iverson Movie Ranch

The above promo still for the Columbia B-Western "Cripple Creek" comes from the collection of location researcher and Western movie expert Jerry England. The scene is shot on the South Rim of the Upper Iverson, where a water feature was brought into play especially for this production. I've blogged before about this water feature, which I call the Reflecting Pool. You can see a brief video of this sequence — which included a waterfall — and read more about the Reflecting Pool, by clicking here. That blog post also includes another clip from "Cripple Creek."

The same site in 2014, photographed by Jerry Condit

Other than the absence of the water feature, the "Cripple Creek" site remains virtually unchanged, as seen in Jerry Condit's recent photo. Inspired in large part by these "then and now" shots, I was able to nail down a few details about the Reflecting Pool — notably that it had an "extended version" that brought it closer to Wrench Rock, as seen in "Cripple Creek." I previously spotted this extended Reflecting Pool in an episode of the "Annie Oakley" TV show from 1956, as seen in this earlier blog entry, but the "Cripple Creek" sequence adds perspective on the Reflecting Pool, the extended Reflecting Pool and the waterfall.


Above are some links to Amazon.com, where you can find DVD, Blu-ray and streaming versions of a number of the productions featured in this post. I can personally recommend the Roger Corman double feature 'Viking Women and the Sea Serpent" and "Teenage Caveman," with both movies having filmed at Iverson and "Teenage Caveman" featuring the Reflecting Pool. It's the same DVD set I used for my shot of the Viking whipping scene that appears in this post. Also note that the "Bonanza" Season 3 set includes the episode "The Dowry," which is featured above.

Robert Mitchum brings film noir to the Garden of the Gods

It was relatively rare for film noir to be shot at the Iverson Movie Ranch, where the staples were B-Westerns in particular, along with war movies, desert adventures and some sci-fi. But the movie ranch did see action in a few film noirs, including the acclaimed 1949 Robert Mitchum movie "The Big Steal."

"The Big Steal" (1949) — Jane Greer and Robert Mitchum on the Iverson Movie Ranch

Garden of the Gods stands in for the hills of Mexico in one scene late in the movie, with a key shootout taking place that puts Mitchum and his leading lady Jane Greer in peril.

The scene plays out mainly in the central Garden of the Gods area, near the camera mount and Overlook Point. The rocks that show up during the shootout are basically all still in place, in a section of the former Iverson Movie Ranch that has been preserved as a park.

A romp through Garden of the Gods often turns up that big rock with the horizontal crack, which tends to be a helpful identifier. I call it Moray Eel.

Not that it's easy to miss, but just to avoid confusion, Moray Eel is identified here.

Here's another look at Moray Eel and that same area from a recent visit to the site. This area was used a lot in the movies.

A colorized version of "The Big Steal" has also made the rounds. This is what Moray Eel and its surroundings look like in that version.

One of the hallmarks of film noir is the great-looking old cars, and "The Big Steal" is no exception. Here they drove the old convertible right up into the middle of Garden of the Gods, where it became part of the shootout.

Colorizing tends to miss the point of film noir, but that convertible does look good in baby blue.

Another angle on the Garden of the Gods shootout in "The Big Steal."

More Mitchum — putting up a fight in Garden of the Gods.

With Sphinx in the background, one of the bad guys gets the drop on Mitchum.

And it's all over — the whole Iverson scene lasts only about five minutes.

The legacy of "The Big Steal's" location shoot at the Iverson Movie Ranch includes a rock in Garden of the Gods that some people call Mitchum Rock. I started calling it that for the purposes of my research, and it seems to have caught on.


Here are a couple of options if you feel like picking up a copy of "The Big Steal" — try the above links, although at this point I seem to only be able to find it in relatively pricey DVD sets.