Why we love old movie locations — especially the Iverson Movie Ranch

For an introduction to this blog and to the growing interest in historic filming locations such as the Iverson Movie Ranch — the most widely filmed outdoor location in movie and TV history — please read the site's introductory post, found here.
• Your feedback is appreciated — please leave comments on any of the posts.
• To find specific rock features or look up movie titles, TV shows, actors and production people, see the "LABELS" section — the long alphabetical listing on the right side of the page, below.
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• I've also begun a YouTube channel for Iverson Movie Ranch clips and other movie location videos, which you can get to by clicking here.
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Showing posts with label Red Ryder. Show all posts
Showing posts with label Red Ryder. Show all posts

Saturday, June 14, 2014

"I am Mister Ed" — No, not me ... movie cowboy Rocky Lane; he really WAS Mister Ed, and a new book promises to tell all about it

One of my favorite movie cowboys is Allan "Rocky" Lane, so I'm pretty excited that a new book is coming out about Rocky, and it looks like it'll be a good one: "I Am Mister Ed ... Allan 'Rocky' Lane Revealed," by Linda Alexander. That's the cover above, and you can go to the publisher's website by clicking here. The official release date is July 4, 2014.

Rocky Lane had a strong run in Republic B-Westerns in the 1940s and 1950s, including starring opposite child actor Bobby Blake — you probably know him as grown-up Robert Blake, aka "Baretta" — in a number of Red Ryder movies.

"Code of the Silver Sage" (1950) — Allan "Rocky" Lane on the roof 
of the Grove Relay Station at the Iverson Movie Ranch

Included in Lane's filmography is an impressive list of movies I consider Iverson masterpieces, all of them from Republic: "Sheriff of Sundown" (1944), "Stagecoach to Monterey" (1944), "Corpus Christi Bandits" (1945), "The Topeka Terror" (1945), "Santa Fe Uprising" (1946), "Rustlers of Devil's Canyon" (1947), "Marshal of Cripple Creek" (1947), "Bandits of Dark Canyon" (1947), "The Bold Frontiersman" (1948), "Carson City Raiders" (1948), "The Denver Kid" (1948), "Marshal of Amarillo" (1948), "Oklahoma Badlands" (1948), "Renegades of Sonora" (1948), "Sundown in Santa Fe" (1948), "Sheriff of Wichita" (1949), "The Wyoming Bandit" (1949), "Code of the Silver Sage" (1950), "Fort Dodge Stampede" (1951), "Frisco Tornado" (1950), "Gunmen of Abilene" (1950), "Night Riders of Montana" (1951), "Black Hills Ambush" (1952), "Desperadoes' Outpost" (1952), "Thundering Caravans" (1952), "Marshal of Cedar Rock" (1953), "Savage Frontier" (1953).

Just to be clear, when I say "Iverson masterpiece," I'm talking more about the rocks and other background features than I am about plot, character development, dialogue, acting, direction and the other traditional attributes that define a good movie. But with Rocky Lane's B-Westerns, the general rule is they're a cut above the rest in those attributes as well. Republic had the hang of it by the time Rocky mounted up, and the company seemed to put a little more effort into its Rocky Lane movies than it did the series headlined by some of its other stars. When it came to B-Westerns, Rocky was on Republic's "A-team."

"Night Riders of Montana" (1951) — Rocky Lane in action

It's an almost unbelievable body of work at one notoriously demanding filming location, the Iverson Movie Ranch, where it was always way too hot in the summer and way too cold and miserable in the winter. But the effort paid off: You almost can't go wrong with a Rocky Lane movie if you're looking for interesting Iverson location shots — not to mention good B-movie cowboy action.

Mister Ed — played by Bamboo Harvester

Of course, the thing that ended up being Rocky Lane's claim to fame, even though he toiled anonymously while the show was on TV, was his voice work on "Mister Ed." Rocky was the only person who could truly say — and DID say — "I am Mr. Ed." Never one to yakkity-yak a streak and waste your time of day, Allan "Rocky" Lane nevertheless had something to say as the famous Mr. Ed for six seasons, providing the horse's voice throughout the sitcom's run from 1961-1966, first in syndication and then for five seasons on CBS.

Allan "Rocky" Lane and Black Jack

In my opinion Allan Lane belongs in the top tier of the B-movie cowboy heroes. He had a natural ease on camera and an imposing physical presence that helped make his heroics believable, and his movies rank among the best of the B-Western genre.

Rocky Lane comic book

The following blurb about Rocky Lane and the new book comes from the website of the publisher, BearManor Media:

Allan Lane has been a mystery almost as long as he's been seen on a movie screen. His audiences have been varied over many, many years. Some know him as the never officially recognized voice of TV's famous talking horse, Mister Ed. There are others who better remember him as Red Ryder, the comic book Western hero-come-to-life at the Saturday afternoon matinee. And even more people remember him as Rocky Lane, yet another Western good guy, and a name which became synonymous with his own. Scores of youngsters over the years in the 1940s and 1950s went to the picture show to while away a happy Saturday afternoon, watching in adolescent excitement as Red Ryder or Rocky Lane fought off all the bad guys on the Western range, always winning the day just in the nick of time. Children were Allan Lane's main audience.


Not nearly as many people are aware that Allan Lane also had an earlier movie career, before he became a fast-riding cowboy. He began in films in 1929 as a handsome, suave "drawing room" romantic type, over the years working with such leading ladies as Barbara Stanwyck, Loretta Young, and Joan Fontaine, among others. He went through many character iterations in those early days, almost to the point of having his own revolving door in and out of Hollywood with nearly as many studio contracts. And before that, even prior to his screen careers, Allan started his love/hate relationship with acting at the age of sixteen on the traveling stage, going from city to city to ultimately make his way to Broadway. Playing various sports filled in the blanks, and his pocketbook, in those days.


Allan "Rocky" Lane with Gerry Ganzer in "Powder River Rustlers" (1949)

Then there was Allan Lane, or as often Alan Lane, the businessman. He began working to help support himself and his family at the tender age of six. He became something of a vagabond, moving from place to place, family member to family member, and even sometimes living on his own in a boarding house. This is how he got his education, took care of his own needs and the needs of his family, and ultimately made his way in the world. Allan Lane owned his own successful photography advertising agency when he was only twenty-four. Years later, when his Hollywood career was fading, he went back to what he knew best ... his business background.


The man was an enigma — arguably misunderstood, but without question so much more than history has yet to show. Until now. "I Am Mister Ed ... Allan 'Rocky' Lane Revealed" finally exposes the full scope of the complicated life of Allan "Rocky" Lane.

Monday, July 12, 2010

The great Iverson cinematographers: Reggie Lanning

born October 1893, Arizona
died December 1965, Woodland Hills, Calif. (age 72)


Reggie Lanning spent virtually his entire film career at Republic Pictures before capping off his resume with a successful stab at television in the mid- to late 1950s, shooting 56 episodes of Alfred Hitchcock Presents. Born in 1893 and hailing from out West in Arizona, his early credits go as far back as the 1920s. But his run as a cinematographer got under way in earnest in the early days of Republic, which opened shop in 1935. His DP credits there span 1936-1955, coinciding with the two decades in which Republic was a powerhouse in serials and B-movies.


Lanning filmed a variety of productions at Republic but made an impact in B-Westerns and eventually became something of a serial specialist. Besides shooting a number of the company’s most important Iverson serials — Jungle Girl (1941), Perils of Nyoka (1942) and Zorro’s Fighting Legion (1939) among them — he got his share of featured B-Western assignments, working with Republic’s front-line roster of stars: John Wayne, Roy Rogers, Gene Autry, Allan “Rocky” Lane, Wild Bill Elliott, Rex Allen, Bob Steele, Don “Red” Barry, Sunset Carson and Monte Hale. He learned the ropes in B-Westerns with a string of entries in the company’s high-profile Three Mesquiteers series — then featuring John Wayne — in 1938 and 1939, and continued to work on the long-running series sporadically over the years as the cast evolved. He also dabbled in various incarnations of Republic’s popular Red Ryder series.

Turtle Rock, a fixture in the widely filmed South Rim area of the Upper Iverson, looms in the background in a scene shot by Reggie Lanning for the landmark 1942 Republic serial The Perils of Nyoka.

While not nearly as prolific as Republic stablemate Ernest Miller, Lanning produced a respectable volume of work in the heyday — he’s listed as a DP on a total of 129 productions, a number that doesn’t take into account the extra work involved in shooting serials, and one that would be still higher if his individual TV episodes were added up.

His Iverson work caught my eye early on, before I knew his name, with Perils of Nyoka still standing as one of the most important Iverson productions. He was an early entry in my Iverson cinematographers’ pantheon, earning that spot on the basis of his landmark serial work as well as the Roy Rogers Iverson spectacle Cowboy and the Senorita (1944).


Lanning lived into his 70s, something a number of the DPs of his era did not manage. He died in Woodland Hills in 1965.