Bigfoot Subdues Dracula: Pure whimsy ... or so I thought

"Thunder River Feud" (1942)

The image above, from Monogram's weirdly filmed, and not particularly well-preserved, Range Busters B-Western "Thunder River Feud," has haunted me since I first saw the movie back in 2008. It was one of the first movies in which I found features filmed on the Iverson Movie Ranch, as my fascination with the filming location was just beginning to blossom.

In part because of the poor quality of my version of the movie, in part due to my inherently whimsical nature — and, I still want to believe, in part because of some degree of perverse intent on the part of the filmmakers — I found something in the shot that I couldn't help thinking looked like a large Bigfoot lying on top of something I thought bore some resemblance to Dracula. I began referring to the image as "Bigfoot Subdues Dracula."

In case there's any doubt as to what I thought I was seeing here — and why wouldn't there be — I've labeled the two "protagonists" of the formation in the shot above. The screen shot became, initially, a focus of failed attempts to figure out just what I was seeing, and subsequently, a symbol for the unfindable oddities that lurk in the backgrounds in any number of old movies. I came to accept long ago that Bigfoot Subdues Dracula would never be seen again, and it became a running joke both when sifting through old movies and on expeditions to the former Iverson Movie Ranch, as I would remark about any remotely similar rock feature: "Look, there's Bigfoot Subdues Dracula ... ha ha!"

"Last of the Bad Men" (1957) (false lead)

It became apparent long ago that Bigfoot Subdues Dracula — or simply "Bigfoot," as I later came to call the feature — was unlikely to ever turn up in the real world, but I would occasionally see something in the movies that caused me to consider whether, by some miracle, I might be seeing the formation again. I went through a series of false leads, including the above shot from the Allied Artists Western "Last of the Bad Men," in which a potential Bigfoot, positioned with a similar "attitude" to the original, lurks meaningfully in the background. The sequence is shot on the Iverson Ranch, as are the bulk of the movie's outdoor sequences. But as it turns out, it's not Bigfoot.

"The Great Alaskan Mystery" (1944) (once again, NOT Bigfoot)

Another false lead, shown above, surfaced in the 1944 Universal serial "The Great Alaskan Mystery," starring Milburn Stone — who later became a TV icon playing Doc for 20 years on "Gunsmoke," and winning an Emmy in the process.

"Fighting Bill Fargo" (1942)

A clue surfaced a couple of years ago when I spotted the above formation in the Johnny Mack Brown B-Western "Fighting Bill Fargo." But by this time I was resigned to thinking of Bigfoot, and the elusive image of a Bigfoot overpowering a Dracula character, as nothing more than a trick of light — and an illusion that would never evolve into a "real" filming location sighting. As a result, I didn't give this sighting as much thought at the time as it may have deserved.

"Treasure of Ruby Hills" (Allied Artists, 1955)

Finally, it happened: Six years after the original sighting in "Thunder River Feud," the actual Bigfoot Subdues Dracula, no mistaking it this time, resurfaced, looking remarkably similar to what I thought all this time had been just an illusion. The formation turned up in this shot from the B-Western "Treasure of Ruby Hills," and while "Bigfoot" doesn't look nearly as "Bigfoot-y" here as it did in the original, far more grainy, "Thunder River Feud" shot, to my eye "Dracula" appears, if anything, even more Dracula-esque here than in the original.

In another piece of news to come out of this sighting, the approximate location for the rock feature is now known: Smooth Hill is recognizable in the background — it's the view of the hill from the northwest, from the general vicinity of the Middle Iverson Ranch Set.

"Two Guns and a Badge" (Allied Artists, 1954)

This shot from the Wayne Morris B-Western "Two Guns and a Badge" is extremely low-res, but it provides a similar view of Smooth Hill to the shot above from "Treasure of Ruby Hills" — and also contains the main house from the Middle Iverson Ranch Set. Bigfoot would be concealed behind the house in this shot.

Here's a comparison of the two above shots, highlighting a large split rock that helps establish that it's the same hill in both shots.

"Bells of Rosarita" (1945)

Smooth Hill, on the left, looms again behind the Middle Iverson Ranch Set in this scene from the Roy Rogers movie "Bells of Rosarita," in which Gabby Hayes is famously trapped in the trunk of an out-of-control old coupe.

North side of "Smooth Hill"

The hill appears much less smooth here than it does in "Treasure of Ruby Hills," illustrating how rocks, hills and other features can take on a vastly different appearance when the camera position shifts slightly. Smooth Hill was usually filmed from a different direction entirely — from the south, including frequent appearances in the background of shots of the Iverson Movie Ranch Western street, as seen below.

"Son of Paleface" (1952) — Smooth Hill from the other side

Smooth Hill, seen here from its more familiar southern side, is widely recognized as the hill in the background of shots of the Iverson Western street looking toward the north, including the example above from Bob Hope's Western comedy "Son of Paleface." The Western street, also known as El Paso Street, appears in the movie a ghost town — in other words, tumbleweeds were brought in and a few windows were boarded up. The bodies lying around are a separate issue.

"Rocky Mountain Rangers" (Three Mesquiteers, 1940)

Here's a nice view of Smooth Hill's southern side — looking characteristically smooth — from before the Western street was built, when Sheep Flats, the area seen in the foreground, was more wide-open. The shot comes from the Republic B-Western "Rocky Mountain Rangers," which I have in my pantheon of the greatest Iverson Ranch productions. The Western town set was built about four years later, in 1944, but would have been off to the left, out of the frame from this particular angle.

For a change the background is clear enough to spot a number of the telephone poles that were beginning to proliferate in the area by 1940. In some productions, such as those set in the earlier stages of the American West, the poles would have been an anachronism. But filmmakers typically shot without much apparent concern for them, and most of the time the backgrounds were so fuzzy it didn't matter.

Smooth Hill was later leveled, and a large apartment complex was built on top of it. Also seen here is the 118 Freeway, which was built in the mid-1960s, effectively bringing a halt to filming on the Lower Iverson. In the foreground is the Topanga onramp heading east.

"Cheyenne Takes Over" (PRC, 1947)

Back on the northern side of Smooth Hill, the story of Bigfoot continues to unfold. It turns out the rock was there all along in shots of the Middle Iverson Ranch Set, but it would have been pretty hard to find without knowing what we know now. You may or may not be able to pick it out in the above shot from the Lash LaRue movie "Cheyenne Takes Over."

Bigfoot is way in the background and really small in this screen shot, but once you know what the feature looks like and where it should be, you can tell that this is it.

"Captain Video, Master of the Stratosphere" (Columbia, 1951)

A wider shot of the Middle Iverson Ranch Set again includes both Smooth Hill and Bigfoot, as noted below. The shot comes from the "Captain Video" serial, which starred Judd Holdren and Larry Stewart.

The Chatsworth landmark Stoney Point can be spotted in the distance, and the shot also shows off the rarely seen back side of the Bunkhouse, part of the Middle Iverson Ranch Set.

"Treasure of Ruby Hills" (1955)

Back to "Treasure of Ruby Hills," and still another angle on Bigfoot. This shot displays the impressive span of the full rock feature in all its glory and includes the "Dracula" head popping out again, albeit slightly blurry.

"Treasure of Ruby Hills" also contains closeups of Bigfoot Subdues Dracula, such as this one showing mainly the "Bigfoot" portion. It's hard to tell from this angle (or any angle, really) how the "Dracula" image is formed, but presumably it's generated by the darker rocks at bottom left.

"The Life and Legend of Wyatt Earp" (1958)

The formation figures prominently in the background of this shot of Hugh O'Brian as Wyatt Earp in "The Bounty Killer," an episode of the "Wyatt Earp" TV show that first aired Sept. 30, 1958. "Dracula" can again be seen, but the figure transforms with each new angle. We may all be seeing something entirely different.

"The Roy Rogers Show" (1954)

This is what Bigfoot looks like from the other side — a lot like the first side. This shot comes from "Last of the Larrabee Kid," an episode of "The Roy Rogers Show" that premiered Oct. 17, 1954. In the background is the northeast face of the main house at Middle Iverson, which indicates we're looking more or less toward the west and viewing the southeastern face of the rock.

Recent shot of the Bigfoot area, now filled with condos

The story of Bigfoot does not have a happy ending. The rock formation was destroyed after the filming era wound down and that portion of the former Iverson Movie Ranch became a condo development. The photo above shows the approximate spot where Bigfoot once stood, looking toward the southeast.

Chili Pepper, Walnut, End Rock and Corner Rock: Where are they now?

I blogged some time ago about the Chili Pepper, seen above in the PRC B-Western "The Hawk of Powder River" (1948), starring singing cowboy Eddie Dean. At the time I thought it was on the Upper Iverson. It turns out that was wrong — it's on the Lower Iverson, specifically the area around the southeastern end of Sheep Flats, now the site of the Indian Hills Mobile Home Village. When I first examined this shot I didn't recognize Split Rock in the background — directly behind the rider, with the trademark vertical split seen just above the horse and to the right of the rider's head.

The "chili pepper" reference is probably obvious, but just in case, this is what it's based on. In the screen shot at the top, it even appears to have the curved stem — although that's an optical illusion.

Here's another look at Split Rock, in "Davy Crockett, Indian Scout" (1950), that shows the vertical split from a similar angle. Split Rock is a relatively well-documented Iverson feature, now found in the swimming pool area of the mobile home park.

I noticed what I thought might be Chili Pepper again in the above shot from the Iverson spectacle "Rocky Mountain Rangers" — a 1940 entry in Republic's Three Mesquiteers series. That's Chili Pepper toward the left and Walnut at the far right. Chili Pepper doesn't look as much like a chili pepper here as it does in the "Hawk of Powder River" shot at the top, so it still wasn't quite enough to call the mystery "solved." The shape, which I refer to generically as a "wedge rock," is fairly common — at one point I was calling this rock "the Doorstop" in my research.

It's worth pointing out that Split Rock appears again in the background in the above shot — directly above the second of the three horses — but it's easy to miss because the angle downplays the split.

Here's another view of Walnut, from the Republic serial "Secret Service in Darkest Africa" (1943). Until recently, Walnut remained a compelling mystery — I was pretty sure it was gone, but there was a chance it was hidden behind a mobile home. More recently I was able to put that mystery to rest, and, sadly, confirm that Walnut no longer exists. A mobile home now occupies the spot where Walnut previously stood.

Here's a regular walnut, for comparison. I think the textures are pretty similar, and the Iverson rock even has that horizontal "seam."

Chili Pepper turns up again in Monogram's 1942 Range Busters movie "Arizona Stagecoach," above. The context again places it in the mobile home village area — and this shot finally convinced me that the wedge rock seen in this location is in fact Chili Pepper. I don't think Chili Pepper survived the construction of the mobile home park, but I've only recently discovered its general location, and I'll have to snoop around a bit to make sure.

Here's where it gets interesting (if you find this sort of thing interesting). This is another shot from "Rocky Mountain Rangers," and it shows Chili Pepper and Walnut from a different angle — so different that you would never know they're the same rocks unless you're inclined to spend hours poring over this stuff in excruciating detail (guilty!). But that's Chili Pepper in the front and Walnut behind it. The shot looks more or less toward the west, with the expanse of Sheep Flats behind the riders, Cactus Hill in the background (including a nice view of its rockiest section) and the line of trees that bordered Sheep Flats to the west. The flat area is filled with mobile homes now, the line of trees is almost entirely gone and the 118 Freeway has cut through the area, but you can still see Cactus Hill, as in the shot below.

This is what that part of Cactus Hill looks like today, from pretty close to the same angle. Sheep Flats has been the site of the Indian Hills Mobile Home Village since the 1960s, with a few of the homes seen here. The wall visible about halfway up (mainly seen toward the right) separates the mobile home park from the 118 Freeway. At the top of Cactus Hill, toward the left, you may be able to make out the two water tanks that now sit atop the hill and pretty much define it. (Click on the photo to enlarge it for a better look.) Cactus Hill is just north of the 118 Freeway and just west of Topanga Canyon Boulevard.

Continuing to view the Chili Pepper area from different angles, this shot is from the 1941 PRC installment in the Lone Rider series "Lone Rider in Ghost Town," starring George Houston. The shot's a little fuzzy, but it looks down on Chili Pepper from the rocks to the east and a little south, so it aims more or less northwest. That's Chili Pepper at the left — no longer looking anything like a chili pepper — with a tiny portion of Walnut behind it. The rock at the top right, below the tree, is End Rock, which is a familiar feature to Iverson researchers — and which has apparently been preserved as a decoration of sorts in the mobile home village.

Here's End Rock today in its "rock museum" — the centerpiece of a planter out in front of the Indian Hills Mobile Home Village's rec room and pool area (not visible in this photo). I'm not sure what was done to End Rock to make it fit the setting — whether it was tilted, chopped, "cleaned up" or simply replaced — but to my eye it doesn't look much like it did in the movies. For one thing, it seems to have lost the curved top that always characterized it. To be honest, I've never been entirely convinced it's End Rock, but that's what a number of experts have said — and it's in more or less the right spot. At any rate, this is what it looks like now from the southeast, from somewhat the same direction as the "Lone Rider" shot above, albeit from a much lower angle.

This view of End Rock today — or what we call End Rock these days — is from the other side, from the northwest, and I think it shows what the park designers were going for — placing the rock in what is admittedly a picturesque planter setting. That's End Rock (or a reasonable facsimile) near the center of the photo, with part of the mobile home park's rec room visible at the right. A couple of other famous movie rocks can be seen as well: Range Rider Rock, sticking out above the mobile home at the center of the shot, and Corner Rock at the far left. Corner Rock, which was "shaved" to make room for the road, was commonly seen in the movies in tandem with End Rock, usually shot from the other side — from the south — with many a stagecoach, rider and chase group arriving between the two rocks.

A closer view of Corner Rock shows how it was modified to make room for a wider modern road, separated from the mobile homes by a low wall. Toward the bottom of the rock, a chunk of it was chipped away to get it out of the way of the road.

One of countless examples of the standard arrival scene between End Rock, on the left, and Corner Rock, on the right, this one is from the 1947 Eddie Dean movie "Shadow Valley," from PRC. The riders are arriving from the northwest, from Sheep Flats.



A number of the movies featured in this post are exceptional Iverson productions and deserve to be highlighted: "Rocky Mountain Rangers" (1940), "The Lone Rider in Ghost Town" (1941), "Shadow Valley" (1947) and "The Hawk of Powder River" (1948) are all on my list of "Great Iverson Movies." (Note that in this case the term "great" refers to the quality of the rocks and other Iverson features seen in the movies, not necessarily the quality of the acting, direction, script, action sequences, etc. However, typically the camera work in these movies is really good.) Check out the links above to Amazon if you're interested in snagging copies of any of these. Not all of them are available, but I've included a few links to what I think is good stuff. The 2-DVD set with "Hawk of Powder River" and "Stage to Mesa City" — another really strong Iverson movie — is an especially good deal.

Center Rock, Sheep Flats, Smooth Hill ... and a bunch of utility poles

"Rocky Mountain Rangers" (1940): Center Rock on the left 

Here's a nice shot from one of the best Iverson movies, the 1940 Three Mesquiteers installment Rocky Mountain Rangers, from Republic Pictures. It's directed by George Sherman, with cinematography by Jack Marta — both men worked a lot at Iverson and contributed mightily to documenting its legacy through cinematic images.

Zooming in on the utility poles

One thing I like about this shot is it reveals no fewer than five utility poles on and around Smooth Hill, all the way back in 1940. That means they were in place for the bulk of the B-Western shoots, including throughout the lifespan of the Iverson Movie Ranch Western street. Some of them can occasionally be seen as anachronisms in the background of Westerns, but rarely are they as easy to spot as they are here.


Above is a link to the "Saturday Matinee Double Feature" DVD, which includes the great Iverson movie "Rocky Mountain Rangers" along with the non-Iverson Buck Jones/Tim McCoy Rough Riders movie "Arizona Bound."

Click here for a post that explains what happened to Smooth Hill and also shows what it looked like in the background of the Iverson Movie Ranch Western street.

Another shot from Rocky Mountain Rangers, from approximately the same angle, gives a better look at Center Rock, the light-colored clump of rocks at the left of the shot. Center Rock was in the middle of Sheep Flats, where Iverson's Western town was built a few years later. This cluster of rocks was noteworthy for a number of things, including its isolated location, its protruding ledge and the odd little arch at its base. Somewhat miraculously, Center Rock survived, even as a mobile home park — the Indian Hills Mobile Home Village — was built around it.

Center Rock in its current predicament

Today Center Rock's setting isn't nearly as grand, as it's been stuffed behind fences and barriers and is essentially part of a maintenance facility at the park. I've been especially frustrated by that white plywood, which not only is a bit of an eyesore but also conceals the rock's trademark arch.

Here's a shot of Center Rock in the 1948 Republic serial G-Men Never Forget, showing pretty much the same angle as the contemporary shot above. Looks like the arch would be just about big enough to hide a motorcycle.

Here's what Center Rock looks like today from the other side. The rock was rarely filmed from this side.

Scratch off another mystery: The Toucan has been found

One mystery that captured my imagination in the early days of my research into the Iverson Movie Ranch (before I even considered it "research") was this unusual rock seen in the background of the "Lone Ranger" movie:

"The Lone Ranger" (filmed in 1949)

To me it looked like a large beak, and I started calling it Toucan. I always suspected the appearance might be an optical illusion, and it turns out that it is.

Maybe you can see the resemblance to a real toucan.

Of course, this is the toucan that's familiar to most Americans.

"Range Beyond the Blue" (1947)

The Toucan eventually began turning up in a few other places, and each time I got clues that helped pinpoint its location. The above shot from the Eddie Dean B-Western "Range Beyond the Blue" helped establish it as Lower Iverson, with a distinctive peak in the background that I call Pyramid Peak, which is in the Rocky Peak area. (Everyone always talks about Rocky Peak, and kind of nods in that general direction, but no one has ever said with any conviction whether that particular rocky peak is the real Rocky Peak.) Toucan is in the center of the shot, and doesn't look as "Toucan-y" as it did in the Lone Ranger movie.

This version of the "Range Beyond the Blue" photo pinpoints the Toucan, along with the quirky rock in the foreground, Freddie Frog. Freddie has an interesting history of its own, which you can read about — along with more about the Toucan — by clicking here.

"Rocky Mountain Rangers" (1940)

Another angle, this time from the Three Mesquiteers movie "Rocky Mountain Rangers." That's Toucan at the right of the photo. With each new angle it looks less like a toucan. The hills in the background are west of Chatsworth Park.

The Toucan as it appears today

Today, more than three years after first spotting it in "The Lone Ranger," I finally found Toucan. It was hiding under a tree. It was a lot smaller than I expected, and covered with green moss (or something), presumably from getting too much shade. It's located in a portion of the former Iverson that has been preserved as a park, in the area just north of Garden of the Gods, which I call the North Cluster. The above shot shows what it looks like today, from close to the same angle seen in the "Rocky Mountain Rangers" shot above.

This is the most "toucan-y" shot I can get of it today, which isn't very toucan-y. It's hard to get a good look at the rock because of the tree that surrounds it.

The Saddle, or Saddle Rock

The Toucan is right next to Saddle Rock, a feature that is on the radar of most Iverson researchers. The Toucan and the Saddle are kind of hidden under the same tree. I used to call this one the Bongos before I encountered other researchers and found out that some of these rocks, including this one, already had perfectly good names — in most cases more Western-sounding than mine, which is a good thing when naming rocks that may have appeared in hundreds of Westerns.

The Toucan — mostly covered — at left, and Saddle Rock, right

Here's a shot I took today showing the Saddle, on the right, which is a little bit hard to see because of the tree, and the Toucan, on the left, which is almost impossible to see under the tree. This shot shows their proximity to each other.