Here's what the Iverson Movie Ranch obsession is all about ...

For an introduction to this blog and to the obsession a growing number of vintage film and TV fans have with the Iverson Movie Ranch — the most widely filmed outdoor location in movie and TV history — please read the site's introductory post, found here.
• Here's a link to Garden of the Gods, the best-known section of the Iverson Movie Ranch (featured in the movie "Stagecoach," the "Lone Ranger" TV show and hundreds of other productions).
• To find other rock features or look up movie titles, TV shows, actors and production people, see the "labels" section — the long alphabetical listing on the right side of the page, below.
• To go right to the great Iverson cinematographers,click here.
• I've also begun a YouTube channel for Iverson Movie Ranch clips and other movie location videos, which you can get to by clicking here.
• If you know of a way I can set up this blog so readers can subscribe to receive future posts via email, please let me know. In the meantime there's a link all the way at the bottom of this page that says "Subscribe to: Posts (Atom)," and if you're inclined to try it, it seems to take you into a world of customizable home pages or something, and you can have blog updates as a part of that page ... whether this is useful to you, who knows, but I thought I'd let you know it's there.
• Your feedback is appreciated — please leave a comment on any post, or email me at iversonfilmranch@aol.com.

Wednesday, July 7, 2010

The great Iverson cinematographers:
Milford Anderson (M.A. Anderson)

born 1893, Chicago
died 1958, L.A.


Milford Anderson’s career was brief, essentially spanning about nine years. He kept busy while he was at it, and wound up listed as cinematographer on 102 movies — but almost none of those were typical Iverson fare. And so the record of his work at Iverson is limited to a few brilliant productions shot late in his career.

An unusual shot of Diplodocus on the Upper Iverson, filmed by 
Milford Anderson for the 1947 Eddie Dean movie West to Glory.

He got started in 1928, just in time to shoot some silents, and then worked fairly steadily through 1936. He was essentially done by the end of that year, and would miss the heyday of the B-Western — other than one shining moment that still lay ahead of him.

He took a year off in 1937, leading us to think he may have had health problems. He did a few movies in 1938, then disappeared from the radar for the next eight years. Maybe he just found something better to do. 

Whatever the case, Anderson made a brilliant if short-lived comeback after World War II, shooting five movies from 1946 to 1949. It was during this last stretch that he shot all of his known Iverson footage, notably the rock masterpiece Border Feud, a 1947 Lash LaRue feature for PRC. He also filmed one Eddie Dean oater for PRC, West to Glory (1947), and one Durango Kid installment for Columbia, Whirlwind Raiders (1948). All three of those projects had him filming at Iverson.

He died in 1958 in L.A., at 64. 


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