A tale of two ranches: How movie stars Joel McCrea and Frances Dee found love, survived Hollywood and lived their cowboy dream

"Wells Fargo" (1937), starring Joel McCrea and Frances Dee — filmed on the Iverson Movie Ranch

Actors Joel McCrea and Frances Dee were that rare exception in Hollywood: a marriage that lasted. One of the secrets to their success may have been their decision to live outside the glare of Hollywood stardom.

Frances Dee and Joel McCrea on their Thousand Oaks ranch

McCrea was a cowboy and a rancher at heart, and never quite warmed up to being a movie star. In 1933 the couple bought a ranch in Thousand Oaks, Calif. — just 40 minutes west of Hollywood, but a world apart.

The McCrea Ranch in modern times

They lived on the Ventura County ranch throughout their 57-year marriage, and Dee continued to live there after McCrea's death in 1990. Today their former ranch remains a Thousand Oaks landmark.

The McCrea Ranch will host a presentation March 3 on the history of the Iverson Movie Ranch and the many connections between the McCreas and the Iverson Ranch.

If you can find this spot, you're there — but it's a small room, and advance reservations are recommended. They can apparently be made through the Conejo Recreation and Park District. (See the flier above.)

Frances Dee in 1933 with "another man" — Buster Crabbe, aka "The Lion Man"

The couple's history with the Iverson Movie Ranch goes back at least as far as 1933, when Frances Dee starred alongside Buster Crabbe in Paramount's "King of the Jungle," filmed in part on the Iverson Ranch.

It was still fairly early in the sound era when "King of the Jungle" was in production in 1932. The movie would be released to a warm reception in March 1933.

Some of the marketing for "King of the Jungle," while artistic, was primitive by later Hollywood standards. I have to wonder whether expressions like "charging hell of wild beasts" really brought people into the theaters.

Buster Crabbe and Frances Dee — promo still for "King of the Jungle"

More likely, what brought a lot of them in was the beautiful Frances Dee, who couldn't help being glamorous even in a faux-tattered jungle dress.

The producers made the most of Dee — her face lit up a series of promotional shots for "King of the Jungle."

Buster Crabbe stands on the Gorge Arch on the Lower Iverson

Also receiving plenty of exposure in the movie's marketing was the athletic Buster Crabbe. Here he monitors the action from a perch on the late, lamented Lower Iverson rock feature known as the Gorge Arch.

Buster Crabbe and a young cast member — promo still for "King of the Jungle"

Crabbe's "Lion Man" character was briefly a rival for MGM's megahit "Tarzan" series, which had just introduced Johnny Weissmuller in 1932's "Tarzan the Ape Man" — also filmed on the Iverson Ranch.

Behind-the-scenes photo of lions assembled on the Iverson Ranch for "King of the Jungle"

A large group of lions was brought to the Iverson Ranch for the "King of the Jungle" shoot. In this behind-the-scenes photo, I count at least 15 lions gathered just outside Zorro's Cave on the Lower Iverson.

To make sure I don't give readers the wrong impression, I've identified Zorro's Cave here, along with a small prop "lions' den" that was installed for the production.

This is the same area where the lions were filmed for "King of the Jungle," as it appears in 2018.

More than 85 years after the "King of the Jungle" shoot, we can still find artifacts from the filming, although they're not easy to spot. Note the area highlighted by the red circle.

I believe these recessions in the rock mark one of the spots where fencing was attached to keep the lions from going rogue. This area would have been just out of view of the camera in the shot of the lions.

Bits of wire can also still be found in the area. We have no way of knowing for sure, but I would be willing to bet that this was also part of the fencing used for the "King of the Jungle" shoot.

Frances Dee and Joel McCrea

The year "King of the Jungle" was released, 1933, was a big year for Joel McCrea and Frances Dee. It was the same year they met, had a whirlwind romance, got married and bought their ranch in Thousand Oaks.

Promotional photo for "One Man's Journey" (1933): Dee and McCrea

They were co-starring in movies from the beginning — in fact, they met on the set of a movie, "The Silver Cord," released in May 1933. That same year they worked together again in "One Man's Journey."

"Wells Fargo" (1937)

In 1937 Dee and McCrea co-starred in the Paramount Western "Wells Fargo," a movie that once again connected them with the Iverson Movie Ranch.

"Wells Fargo's" unusual opening credits

"Wells Fargo" deserves a place of honor among Iverson Ranch aficionados for its unique title sequence, in which the opening credits are made to appear as though they're painted on the rocks of the Lower Iverson.



The above clip shows "Wells Fargo's" title sequence, filmed entirely on the Iverson Ranch. I discussed this sequence in detail in a blog post a few years ago, which you can read by clicking here.

Lobby card for "The Virginian" (1946): Brian Donlevy, Barbara Britton and Joel McCrea

Joel McCrea was back on the Iverson Ranch in 1946 to film Paramount's Technicolor Western "The Virginian" — one of many film and TV adaptations of the 1902 Owen Wister novel "The Virginian — A Horseman of the Plains."

"The Virginian": Joel McCrea and Barbara Britton ride off into the sunset on the Iverson Ranch 

The closing sequence from "The Virginian" features a classic "riding off into the sunset" shot in which Joel and his leading lady set out to begin their new life together. The scene takes place on the Iverson Ranch.

The same sunset location in 2016

The same location continues to yield spectacular sunsets today. This is a photo I took on the ranch in 2016.

Notice the rocky flat-top profile of the hill near the right of the shot.

Sunset sequence in "The Virginian"

The same hill can be seen in the closing shot from "The Virginian" — with the sun setting right behind it.

This hill can also be seen in the daytime, when it's easily spotted as one leaves the San Fernando Valley headed west on the 118 Freeway toward Simi Valley and Ventura County — the same direction Joel and his real-life leading lady headed when they left Hollywood back in '33 to start their new life together on the ranch.

"Three Ages" (Buster Keaton/Metro Pictures, 1923)

Like almost everything on and around the Iverson Ranch, that hill to the west has a long history in the movies. Here it sneaks into the background in the silent Buster Keaton comedy "Three Ages" in 1923.

"The Grapes of Wrath" (1940)

The same hill appears next to Jane Darwell's head in 1940 in "The Grapes of Wrath," just as she's about to tell the family some bad news about Grandma. Darwell won an Oscar for her performance as Ma Joad in the film.

"Ghost Valley Raiders" (Republic, 1940)

Not all of the hill's appearances are in Oscar winners — it turns up in its share of B-Westerns too. The same year the hill appeared in "The Grapes of Wrath" it was also seen in the Iverson showpiece "Ghost Valley Raiders."

"Wanted: Dead or Alive" (1958)

The flat-top hill's work as a background feature continued into the TV era. Here it turns up in an episode of the Steve McQueen series "Wanted: Dead or Alive" called "Die by the Gun," which premiered on Dec. 6, 1958.

"The Jungle Book: Mowgli's Story" (Disney, 1998)

As recently as the late 1990s, the hill continued to do background work in Hollywood productions. Here it can be seen in a sequence featuring wolves howling in Disney's "Jungle Book" sequel "Mowgli's Story."

"Mowgli's Story": The same shot as it appeared in the movie

The sequence was shot "day for night," appearing much darker in the actual movie. The wolf is seen in silhouette and the background is obscured, making the point that the wolf is howling as night falls.

As a footnote to Joel McCrea's "The Virginian," it's worth noting that another famous film version of the story, an early talkie from 1929, starred Gary Cooper and was also filmed on the Iverson Ranch.

James Drury as "The Virginian," near the Iverson Ranch's Hangover Shack in the NBC TV series (1963)

Modern audiences know the story of the Virginian mainly through the TV series, which ran for nine seasons on NBC, from 1962-1971. In its early seasons the TV series also filmed regularly on the Iverson Ranch.

Joel McCrea had another interesting sojourn to the Iverson Ranch, for his 1950 Western "Saddle Tramp."

Joel McCrea rides past Wrench Rock on the Upper Iverson in "Saddle Tramp"

The movie features a lavish six-minute opening segment filmed on the Upper Iverson, loaded with nice Technicolor shots of the ranch in spring. "Saddle Tramp's" opening shot is this striking portrait of Wrench Rock.

Wrench Rock in recent times — toward the right of the frame

An attempt to match the shot in modern times runs into a common obstacle: Today a tree has attached itself to the eastern profile of Wrench Rock, effectively blotting out this view of the the rock.

"Saddle Tramp" opening sequence

McCrea whistles as he rides the ranch in the "Saddle Tramp" sequence, and appears to be taking in the scenery.

Notice the rock at the left of the frame, which would later come to be known as "Gold Raiders Rock." This is one of the last times we see this rock in its natural configuration.

"Gold Raiders" (Three Stooges, 1951)

When the same rock appears the following year in the Three Stooges movie "Gold Raiders," it has a smaller rock cemented on top of it. "Stacked rocks" like this one can be found in several places on the former movie ranch, and are among the more intriguing artifacts of the site's filming legacy.

The creation of stacked rocks on the Iverson Ranch is known to have taken place as early as the 1920s, but we see signs of a flurry of this type of cement work around 1950 to 1951.

Gold Raiders Rock in modern times

The rock remains intact today — including the smaller rock on top, still cemented in place.

I believe the surge in rock stacking in the early 1950s was part of an effort by the Iverson family to spruce up the location ranch for the increased business that was starting to come in from the new medium of television.

Frances Dee and Joel McCrea

For readers who are intrigued by the exploits of Joel McCrea and Frances Dee, or the history of the Iverson Ranch — or if you just want to say howdy — I hope you can make it to the presentation March 3 at the McCrea Ranch.

Wyatt McCrea — Joel McCrea and Frances Dee's grandson

I understand the McCreas' grandson Wyatt McCrea, who still lives on the McCrea Ranch, will also be on hand to answer questions about his famous grandparents.

Full disclosure: I didn't have any luck when I tried the website listed on the flier. You might want to try the phone number, or poke around the Conejo Rec & Parks website to find other ways to sign up. Good luck!

"The Young Rajah," starring Rudolph Valentino: 1922 silent movie was filmed on the Iverson Ranch in Chatsworth

Rudolph Valentino and Wanda Hawley in "The Young Rajah" (1922)

We're barely into 2018 and we've already had a historic Iverson Movie Ranch sighting in a super-old movie — the Paramount silent feature "The Young Rajah," starring Rudolph Valentino.

The movie came out in 1922 — not quite a century ago, but it was long enough ago that the legendary actor wasn't known as Rudolph Valentino yet. Back then he was still being billed as Rodolph.

If we were to go back even further in time, we might find Valentino billed as Rodolfo Di Valentina, as he is in this ad for the 1918 feature film "The Married Virgin."

Rudolph Valentino as "The Young Rajah" in a publicity still for the movie

Like much of Valentino's early work, "The Young Rajah" did not survive intact. A lot of what we know of the look of the film comes from promotional stills.

"The Young Rajah": a single surviving photo taken on the Iverson Ranch

The version of "The Young Rajah" that circulates today was stitched together from surviving film fragments along with still photos. But as luck would have it, one of those still photos, seen here, was taken on the Iverson Ranch.

The photo shows a battle taking place in the Central Garden of the Gods. Two of the large sandstone boulders seen in the shot, Phantom and Sphinx, were already on their way to becoming famous movie rocks.

For a single photo, it contains a lot of interesting stuff — not the least being the fake rocks noted here. The reason the fakes were brought in is unclear.

The same location in 2018

This is as close as I could come to duplicating the shot on a recent visit. The movie angle is impossible to match today without the use of camera scaffolding, as the original shot was taken from well above ground level.

Note the markers identified here as A, B and C on the rock at the right of the frame.

The same rock appears at the right of the frame in the "Young Rajah" shot, and the same markers can be found.

The profile of the Sphinx from this angle is much as it appears in the movie shot. If you're able to visualize it, pretend for a moment that the bush in the lower right corner of the outlined area isn't there.

The same approximate area of the Sphinx is marked here as in the recent shot above. This entire section of the rock would be visible in the recent photo if that bush didn't get in the way.

The Phantom, which is easy to make out in the "Young Rajah" shot, doesn't fare nearly as well as its neighbor the Sphinx when we attempt to replicate the movie shot today.

Today our view of the Phantom is blocked by a tree that wasn't there in 1922. A secondary issue is the shift in vertical alignment between Phantom and Sphinx due to the unavailability of camera scaffolding in 2018.

Lurking in the background in the "Young Rajah" shot is still another significant feature, which I call Green Hill.

"Green Hill" as it appears today

Green Hill remains in place today, a short distance west of the Garden of the Gods. The hill is situated south of Santa Susana Pass Road and appears to be on land that was once part of the Spahn Ranch.

"Wanted: Dead or Alive" TV series ("Drop to Drink," premiered Dec. 27, 1958)

Green Hill comes up regularly in old movies and TV shows, and can be an important location identifier. It pops up when the cameras are in the vicinity of the Garden of the Gods and are pointed west or slightly southwest.

Spring 2015: Green Hill and other hills to the west of the Lower Iverson

Green Hill does tend to be greener than the other hills in the area. Appearing in the lower part of this photo is the Church at Rocky Peak, which today occupies the plot of land directly west of the former Lower Iverson Ranch.

Getaway Rock, at right, and other features at the west end of Central Garden of the Gods

The fake rocks in "The Young Rajah" prevent us from seeing most of the Central Garden of the Gods area, including Getaway Rock, situated at the west end of the clearing.

"The Young Rajah": Why the fake rocks?

Filmmakers sometimes brought in fake rocks specifically to conceal existing rock features, but I doubt that's the case with "The Young Rajah." The fakes may have been used to facilitate the staging of extras for the battle sequence, or to create the narrow pass needed for the battle scene to work.

Wanda Hawley and Rudolph Valentino: Promo still for "The Young Rajah"

Unfortunately, with the battle footage from "The Young Rajah" presumed lost, we're left to speculate about how the sequence played out and what role the fake rocks may have played.

I normally would not consider a movie to be an Iverson sighting based solely on a still photo, but in this case the Garden of the Gods photo proves the movie was filmed on the location ranch. There's no chance such a large cast would have been assembled just for a promo still.

This map I included in a post from 2016 about the Joan Crawford movie "Montana Moon" will lead you from Redmesa Road to the Getaway Rock area, walking directly through the "Young Rajah" battle site.