When we wrapped up Part 1 of our in-depth look at Lake Los Angeles movie history, we were about to delve into the story behind the "Kill Bill Church." (Please click here to see Part 1.)
Located in Hi Vista on the northern outskirts of Lake Los Angeles, this small church — or what looks like a church — is the most famous movie location in the Greater Lake Los Angeles area.
In recent years it became known as the Sanctuary Adventist Church, but it does not appear to be currently operating as a church. The building's ownership has changed hands a few times over the years, and I get the impression the church part of the operation may have slipped through the cracks.
The building is still available for filming. When I was out there earlier this month the "film here" signs were out in force. These signs are a common sight now in the Mojave Desert, especially around Lake Los Angeles.
Did you notice the sign for Sanctuary Adventist Church in Jerry Condit's 2015 photo?
Today that same church sign is stashed behind an old bench that has been sitting out on the building's front deck for years. Meanwhile there they are again: at least three "film here" signs, prominently displayed.
Located on East Avenue G at 198th Street East, about 10 miles from downtown Lake Los Angeles, the "Kill Bill Church" has a storied past that even some of the most rabid "Kill Bill" enthusiasts don't know about.
The building used to be the community center for the town of Hi Vista. There's scarcely a town out there today, so it's unexpected that they would have ever needed a community center. But they definitely had one.
The structure's present-day appearance can be traced back to the Robert De Niro-Robert Duvall movie "True Confessions." The old community hall received a new bell tower, new facade treatment and other modifications to give it the look of a Spanish-style Catholic iglesia in the film.
In what may be the building's first movie appearance, "True Confessions" showcased both the interior and the exterior of what was now a "church." A movie church, anyway.
In the real world the building had yet to be transformed into a church at the time "True Confessions" came along. The interiors we see in the movie, well sometimes those Hollywood set dressers just outdo themselves.
Since these interior scenes were filmed inside the actual building and not on a soundstage, the scenery outside the windows and front entrance is Hi Vista in all its glory.
When De Niro and Duvall wander outside to visit the church cemetery, we get a good look at the east side of the community hall/church building, where the set design continues the iglesia theme.
We also get a partial glimpse of a building across the street, which remains in place today and is another filming location. We'll take a closer look at this building in a moment.
Following the "True Confessions" shoot the Hi Vista Community Hall retained its new "churchy" look out front, even after it lost the cross and bell. It went back to being a community hall, and also continued to be used for filming — including this appearance four years later in the music video for the Talking Heads song "Road to Nowhere."
I don't know why I find this amusing, but it also appears that they dragged out the exact same banner they were using back in the 1960s. I mean, that is the same banner — the closer you look, the more the same it is.
David Byrne may have been quietly cursing everyone involved with "True Confessions" after he drove all the way out to the desert only to find the "community center" he'd heard so much about now looked like a Catholic iglesia on the outside. I mean, that's just one possibility.
The music video focuses mainly on the building's interior, and we can see that the pews from "True Confessions" have been removed, along with any other items suggesting a church on the inside.
Talking Heads video: Is it art imitating life, life imitating art, or ... "Let's just see what happens"?
The interior of the building looks just about exactly like a small town community center. The sequence "feels" like the video director just filmed a community event already in progress, perhaps the desired effect.
Intended or not, it's appropriately "on the nose" that a group of either local residents, music video extras or Talking Heads family members would convene in the Hi Vista Community Hall to lip-sync about a "road to nowhere."
It eventually occurred to me that's David Byrne in the back (circled in yellow), and the other band members are also planted here and there in the choir.
The next shot in the video is just a kid in a swimsuit walking down a desert road, which is not only, once again, "on the nose," but also location verite. The shot is taken looking east along Avenue G, with the kid walking away from the real-world location of the Hi Vista Community Hall.
I took my own shot when I was out that way earlier this month, confirming that Avenue G running through the heart of Hi Vista, Calif., is indeed the iconic "road to nowhere."
"Road to Nowhere" — click to watch the video
It's a cool video — and you can check it out on YouTube by clicking on the image above. I'll give you a Heads-up, though: All the good Lake Los Angeles and Hi Vista footage is in the first 40 seconds. Yes I said "Heads"-up.
The Hi Vista Community Hall wound up in a few other productions over the years, but the defining event in its career as a filming location — so far — has been its role as the Two Pines Wedding Chapel in the "Kill Bill" movies.
The building even turns up in the poster for "Kill Bill: The Whole Bloody Affair," Quentin Tarantino's four-hour-plus director's cut combining the two volumes.
"Kill Bill Volume 1" and "Kill Bill Volume 2" were filmed more or less simultaneously, from 2002-2003. What was essentially a four-hour movie was then split into two movies, which were released separately in 2003 and 2004.
Like "True Confessions" and the "Road to Nowhere" video, "Kill Bill" shot both the interior and the exterior of the Hi Vista Community Hall, where a notorious wedding massacre would take place.
If you're familiar with the "Kill Bill" movies, you won't be surprised to see that the interior of the Hi Vista Community Hall becomes the setting for a bloodbath.
This is what the same space looked like more recently — after the dead bodies and most of the fancy wedding chapel stuff had been cleared out. You can match up things like the ceiling beams if you're so inclined.
What really caught my eye — keeping in mind that I'm not exactly normal — is the "Hi Vista"-branded metal chairs. I'd love to rent some of these for my next watch party.
I love that the good citizens of Hi Vista may have seen fit to create an "improvement association" — especially when their town is already as amazing as it is. The thought that they may have then stenciled it on their folding chairs is just the icing on the cake — or maybe I should say the Liquid Paper on the cake.
This is what the building's exterior looks like in "Kill Bill" — essentially what it still looks like today, other than having a better paint job back then. This shot would have been taken during filming in 2002 or 2003.
Here's Jerry Condit's 2015 photo again for comparison. As I mentioned, the paint job on the old building isn't so good these days. You might also notice that the Joshua tree out front has gotten a lot bigger.
It's now seven years later, and the paint job has only gotten worse. Also, besides the "film here" signs all over the place, it has that dorky truck parked out front, blocking the view of the building.
Check out the front deck area, which was added around the time of the "Kill Bill" shoot. After "Kill Bill" the owners of the building kept the deck in place.
We can be pretty sure the deck was built specifically for "Kill Bill," since it didn't exist yet just a few years earlier when Jean-Claude Van Damme's "Inferno" filmed in Hi Vista.
When "Kill Bill" was on site, the production made good use of the deck — another reason to believe it was built for "Kill Bill." Here's an unusual shot taken from the interior of the wedding chapel looking out toward the front deck.
Juxtaposing the interior and exterior of the building, along with "Kill Bill" stars David Carradine and Uma Thurman, the shot also captures the Lake Los Angeles landmark Saddleback Butte to the south.
We usually see Saddleback Butte from the other side, like in Lake Los Angeles Part 1, when we spotted it in a "Bonanza" episode where Little Joe was splayed out near the relay station.
We previously noted the relationship of Hi Vista and the Kill Bill Church to downtown Lake Los Angeles. Now we can add that Saddleback Butte is positioned exactly halfway between the two sites.
Funny, I can't look at this aerial shot of Saddleback Butte without seeing a scorpion. Maybe it's just me.
Here's a nice shot of Saddleback Butte from the "Wagon Train" episode "The Clayton Tucker Story," with the butte filmed from the south, as usual. We still haven't seen the last of Saddleback.
Looking west down Avenue G, this shot from "Kill Bill" adds some perspective to the Hi Vista location shoot. You may recognize the community hall/wedding chapel on the right.
Jerry captured a similar angle on his expedition to Hi Vista in 2015. Here we see not only the Sanctuary Church on the right, along the north side of Avenue G, but also some of the old buildings across the street, on the left.
Remember that building across the street from the Kill Bill Church that we first noticed in "True Confessions"? It turns out it's the centerpiece of a present-day movie set — and one of the buildings in Jerry's 2015 photo.
This is the same building seen in "True Confessions," although it has received more than its share of abuse since then, including a series of movie-related "renovations."
One of the best views of the building when it was still in decent shape is also in "True Confessions," when Duvall first arrives at the church. Across the street, the structure appears as a small grocery store. I'm told that at one time the building was an actual grocery store, so it's possible what we see here is its true identity.
By the way, Duvall's 1959 Plymouth Fury in "True Confessions" is NICE! I'll try to make sure we see a little more of it driving around the desert.
Today the former grocery store is the centerpiece of a group of deteriorating old structures known as the "Gordon's Body Shop Movie Set." The main building, which according to local legend may have also been a gas station at one time, is situated on the southwest corner of Avenue G and 198th Street, catty-corner from the Kill Bill Church.
The Gordon's "movie set" is a quintessential desert survival story: A bunch of old buildings outlive their original purpose and then, rather than face the wrecking ball or admit that they're now nothing more than a ghost town — because where's the profit in that? — they get a second chance working part time in showbiz.
The grocery store building resurfaces as Eli's Emporium in "Inferno," where Hi Vista plays the town of ... (wait for it) ... Inferno! Eli's is sort of a headquarters for a gang of thugs, so you have to peer around a series of knife fights, shootings, beatdowns and flying kicks to actually see the building.
Here's a wider shot of Gordon's Body Shop as Eli's Emporium, although even an airborne Van Damme tends to block the view of the building.
Whatever it once was, clearly it was once something. As of 2012, a "film here" sign was visible on the front of the building, along with a phone number to call for filming inquiries.
By 2016 the "Body Shop" signage could be seen on the front of the building. My hunch is the sign was added for filming, rather than for an actual body shop, since the sign wasn't there in 2012 and it doesn't look like the shop did any business in the meantime.
I noticed on a recent stop in Hi Vista that the "Body Shop" sign can still be seen on the front of the building, along with one of the ubiquitous "film here" signs.
Also on prominent display is a large and informative sign probably put up by someone who's tired of having to give directions to the trailer out back.
It doesn't jump right out, but the sign on the front of the building does say "Gordon's" Body Shop. If you happen to know of a production that featured the movie version of Gordon's Body Shop please let us know, either by commenting below or by sending me an email. (iversonfilmranch@aol.com)
Back across the street on the "Kill Bill" front deck, there's more movie history to be found in either direction along Avenue G. Looking east in this shot of Carradine on the deck, notice the hill in the distance.
It's the same hill that looms in the background in the Talking Heads video, all the way down at the end of the "road to nowhere."
We get a similar shot in "Inferno," only Jean-Claude Van Damme is walking in the other direction down Avenue G — headed for the town of Inferno and a whole movie's worth of trouble. Thanks to the use of a telephoto lens, that hill in the background looks a lot larger here than in the "Road to Nowhere" video.
Shots of Uma Thurman during the front deck scene are taken in the opposite direction, with the camera shooting west down Avenue G.
It appears that the small building on the left was part of the "Gordon's Body Shop" compound and occasionally worked its way into productions — at least in the background.
The small building did wind up in "Inferno" — but like most of the shots of Hi Vista in that movie, we again have to look for it around the edges of a martial arts workout.
Michael Montague's drone's-eye view of the "Gordon's Body Shop" area reveals that the small building remained standing as of 2019, a short distance west of Gordon's.
As long as we're hovering above the compound, I'll point out a couple of distant landmarks. The drone shot is taken looking southwest, and both Saddleback Butte and the San Gabriels can be seen to the south.
One thing I noticed about the small building is that it didn't have the "film here" signs that can be seen all over Hi Vista — at least not in 2012.
Even so, I have a feeling that if someone had wanted to film the building at the time, it could have been arranged.
But not anymore. Like a number of structures in and around the Gordon's Movie Set area, the small building was recently demolished. This is all that was left of it when I stopped off in Hi Vista earlier this month.
In the same "Inferno" shot where the small building turns up on the left, another Hi Vista building, a house, makes an appearance toward the right of the screen.
The same house surfaced almost two decades earlier in the opening sequence of "True Confessions." As Robert Duvall drives east down Avenue G in his Plymouth Fury, he passes a green house on the north side of the road.
The house was gone by the time of the "Kill Bill" shoot, but even so, shots of Uma Thurman in front of the church echo the opening sequence in "True Confessions."
I have to wonder whether it's more than a coincidence that both the house and the van seen in "True Confessions" are painted something close to the pea-soup green we kept finding in Lake Los Angeles Part 1.
Any connection to Club Ed or the Four Aces diner would be a stretch, since those sets didn't exist yet in 1980. But apparently someone who lives in the area really likes that color.
That pea-soup green house is gone now. This is what was left of it as of a few years ago: a crumbling foundation and an unusually tall tree stump.
The green house would have been demolished between 1999 and 2002, based on the fact that it was still there when "Inferno" filmed on Avenue G but it was gone by the time "Kill Bill" filmed just a few years later.
The group of small structures outlined here in yellow, above Uma's left shoulder, would have previously been hidden behind the green house. This is apparently a small residential area, and it's still there.
I didn't get particularly good shots of this residential area when I was in Hi Vista earlier this month, but this is more or less what it looks like today.
The "unusually tall tree stump" I mentioned in connection with the ruins of the green house is still there too, still standing guard over the ruins.
One of the minor background features in the "True Confessions" sequence is this group of mailboxes.
The mailboxes pop up again almost 20 years later in "Inferno," and they've evolved. Each mailbox appeared to have its own stand in 1980, but they now share a common wooden stand.
The same mailboxes can be seen in the Uma shot, and we can assume that they continue to evolve.
As of July 2022, the mailboxes remain in place near the corner of Avenue G and 198th Street, and it appears they still share that wooden stand we first noticed in "Inferno."
When Uma is filmed in a slightly different position, other background features come into view — including the row of telephone poles along Avenue G.
The telephone pole at the corner of 198th Street has four metal rings near its base, and the next one to the west has three rings, although you may have to click on the photo to see them.
The configuration of the rings was the same two decades earlier, as seen in "True Confessions." It's a minor detail, but I was able to use it to help track the positions of some of the nearby structures.
The four rings were also visible in 1999 in "Inferno," adorning the telephone pole adjacent to the mailboxes and nearest the corner of Avenue G and 198th Street.
By the time of my latest visit to Hi Vista, the number of rings on that particular pole had dipped slightly, to what I would call about three and a half.
Back on the front deck of the "Kill Bill Church," I want to point out this closeup of Uma. Besides being a nice shot of the actress, it features one of the deck's support posts in great detail, full of nooks and crannies. Since the deck was brand new, it would have had to be purposefully "distressed" to get this look.
We still have at least one more mystery building to figure out — did you happen to notice it in this "Kill Bill" shot? It's another movie building, and I was able to piece together some of its filming history.
The mystery building was situated on the southwest corner of Avenue G and 200th Street, where it was oriented at a 45-degree angle, with the length of the building running northwest to southeast.
If you were to visit that site today, as I did earlier this month, all you would find is this vacant lot — no sign of a building, and not even the foundation of a building.
That's because the "mystery building" was not a real building. It was another movie set — the Hi Vista Diner, one of Hi Vista's most elusive sets.
The Hi Vista Diner is a key location in "Inferno," which contains some of the best — and probably rarest — movie shots of the diner. It's a good bet that the diner was built for "Inferno," although its origin story is unknown.
One minor issue is that when we see the diner in "Inferno," it's directly across the street from the future Kill Bill Church, and not down at the corner of 200th Street, about a block away, where we see it in "Kill Bill."
But it's not really an issue, because sets get moved around all the time. Sometime after filming was completed on "Inferno," and before filming took place on "Kill Bill," the diner was moved a short distance east to 200th Street.
The diner's location near both the Gordon's Body Shop building and the future Kill Bill Church is integral to the story in "Inferno." It makes sense that the diner would have started out in that location, but it also makes sense to later remove it from that spot to facilitate filming of the other sets.
There's a lot to like in this overview shot from "Inferno," including what appears to me to be a look at how the flimsy wooden cross was added to the top of the future Kill Bill Church for the movie.
Just about all of the buildings of the "Gordon's Body Shop Movie Set" saw action in "Inferno," but most of these buildings no longer exist.
I imagine many readers are familiar with Saddleback Butte by now and are tired of my pointing it out — but just in case we have a few stragglers, there it is again.
We saw this same angle from "Inferno" a while back, but let's take a closer look at what's going on over at the Hi Vista Community Hall.
Not only does the building have a new bell and flimsy wooden cross, presumably both installed specially for "Inferno," but it also has Pat Morita — the wise Mr. Miyagi from "Karate Kid" — ringing the bell to help the hero.
There's Morita again, on the roof of the community center, where he's found almost a perfect sniper's post. We also get a better look at the building's temporary bell and flimsy new cross, which is too small for that building.
The Hi Vista Diner existed for only a few years, approximately from 1999-2007. A number of variations on its name can be found, including High Vista Diner, Hi-Vista Diner and High Vista Cafe.
Lucky for us, photographer Troy Paiva came across the Hi Vista Diner in 2007 and posted some incredible night shots of it. His photos were taken when the diner was at its second location, at Avenue G and 200th Street.
Paiva noticed that the sign read "High Vista Diner" on one side and "High Vista Cafe" on the other. This discovery reinforces what we already knew about the building — that it was always a movie set and never a real diner.
The two-sided sign was presumably just a way to make the building that much more versatile as a movie set. The timing of Paiva's visit was especially fortunate since the building would be demolished less than a year later.
In a sequence from "Inferno" that we examined above, some of the movie's characters are standing just outside the doorway of the diner watching Van Damme deliver a flying kick to a hapless thug.
When the camera zooms in on the spectators, we catch a glimpse of a unique feature of the Hi Vista Diner: the round window, or "portal," at the left of the frame.
When Paiva photographed the building in 2007, he captured this interior shot of the "portal." Paiva's photos of the Hi Vista Diner can be found on Flickr as part of his excellent Antelope Valley album.
We still haven't exhausted the location details we can learn from "Kill Bill" shots taken on the wedding chapel's front deck — but we're getting close.
One feature across the street may be hard to recognize at first, but it doesn't quite match the rest of the landscape.
If I had to guess, I'd say it looks like an old chimney — and sure enough, that's what it turns out to be.
The same chimney appears in some of the "Inferno" shots, and it locks in the position of the Hi Vista Diner when it was still in its original location.
The chimney turns up during the beatdown sequence where folks are gathered at the ice machine, and we can see that it's super-close to where the diner was located.
The chimney is all that remains of what presumably was once an actual building — possibly a commercial building, given its location near the old grocery store and across the street from the community hall.
I confirmed that the chimney is still standing when I visited Hi Vista earlier this month.
In a wider shot, taken looking west, we get a sense of the proximity of the chimney to Gordon's Body Shop, on the right. The Hi Vista Diner was originally situated between these two structures.
Here we're looking at the chimney from the opposite side, with the hills to the east visible in the distance and a small rock formation toward the right of the frame.
While I was in Hi Vista a local resident pointed out to me that he thought the rock formation near the old chimney looks like an elephant — and I agree.
We'll be moving on now from Hi Vista, but I mentioned that I'd try to work in a little more of Robert Duvall's choice 1959 Plymouth Fury. Here it comes, from the opening sequence in "True Confessions."
Duvall is deep in thought as he's driving through the desert to meet his brother, played by Robert De Niro. We see Joshua trees whizzing past the window, a sure sign he's in the Mojave Desert.
The Fury is seen barreling down a desert road, giving us a chance to try to figure out where it is. Thanks to the distinctive rocky buttes all over that area, it's relatively easy.
The San Gabriels let us know the shot is taken looking south, but the key to this location is identifying Alpine Butte. Once we have the butte nailed down, we can figure out that the Fury is headed north on 140th Street, on the northwestern outskirts of Lake Los Angeles.
One of the coolest things about the "True Confessions" shot is that Duvall is actually headed to Hi Vista. In the real world he's about eight minutes away, and just has to hang a right on Avenue G.
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I've been teasing here and there about Marshal Dillon showing up in Lake Los Angeles with a bazooka, and it really did happen — that is, if you consider Matt Dillon and James Arness to be the same person, like pretty much everyone in the world does.
That's Marshal Dillon there on the left — OK, James Arness — doing his best to aid in the blowing up of giant ants in the sci-fi classic "Them!" I hope the other guy let him fire off a few rounds.
It looks like Agent Bob is relegated to "helper" status on this project. But look how impressed he is with that whopper he just pulled out of the carefully labeled "loaded projectiles" box.
I didn't make that part up. It clearly says "loaded projectiles" right there.
"Them!" wasn't the only movie to bring a bazooka to Lake Los Angeles. Just a stone's throw from where "Them!" filmed, the comedy "Palm Springs" explored a similar theme more than 65 years later. I can't help wondering whether they got the idea from the giant ant movie.
The target of all the bazooka activity in "Them!" is this giant ant hole. Sean McClory plays Major Kibbee, whose unpleasant job it is to peek down into the hole, apparently to determine whether it's worth blowing up.
The best thing about this shot is that it shows the location of the giant ant hole, along with a few landmarks. The shoot took place in Lake Los Angeles, even though in the movie it was supposed to be the New Mexico desert.
I found my way to the former ant hole location in June 2022, and those same background rocks were still there, marking the area where the ant hole action was filmed.
I wish I could tell you that Joshua tree is still there, but sadly, its former home is now merely a place where a tree once stood. Joshua trees commonly live about 150 years, but I fear the desert has long since swallowed up the remains of this one.
Fortunately, we still have more durable landmarks out that way — the rocks.
This shot is taken at something close to the same angle used in "Them!" The two rock clumps highlighted in the movie shot are still there today, about where they should be.
The ant hole is seen smoking after being worked over by the bazooka. For us movie location fans, a fun element is that they keep changing the camera angle, showcasing different rocks each time.
The shooting location is relatively unchanged today — if you look closely, the above two shots are a match. The whole filming area for "Them!" is in the southwest corner of the sprawling Lovejoy Buttes.
At one point some unfortunate "Them!" cast members have to put on super-cheap hazmat suits so they can crawl inside the nest and size up the damage.
Once again, it's easy to identify the location since the rocks in the background look exactly the same today.
Eventually James Arness starts to notice that he's attracted to the main ant expert's brainy daughter, played by Joan Weldon. He starts chatting her up in front of that same group of rocks we've been looking at.
During this critical conversation, Arness pretty much ignores the real ant expert — the pretty young scientist's father, played by Edmund Gwenn, on the left — opting instead to discuss "giant ants" with his daughter.
The ridgeline we first see behind Arness matches up well with today's landscape. This is a photo I took in June 2022 in the same location.
These three sections of the local terrain can be matched up with the shot from "Them!"
The same three sections of the landscape are highlighted in the screen shot from the movie.
Gwenn's character finally gets the FBI agent's attention, reminding him of that little matter involving the ants — and diverting some of that testosterone that was previously aimed at his daughter.
The shot is taken looking north, and we see another section of the Lovejoy Buttes.
These two rock formations match up especially well with the shot from "Them!"
Those same two formations are highlighted here in the screen shot from the sci-fi classic.
One thing we hardly ever see in these location shots is the ants, suggesting that most of that footage was shot on a soundstage. But we at least see this one encounter between an old-fashioned helicopter and the monster ants.
These two ants have completely different faces. Were the filmmakers being unusually progressive about giving the ants unique identities, or were they just using whatever fake ants they could find in the prop department?
Parts of the same ridge we saw behind James Arness when he was making his move also provide the backdrop for the helicopter-ant encounter. The section highlighted here offers the best match with the copter shot.
The closely matched ridgeline indicates we're seeing just about the same angle.
Putting together the various angles, we can approximate the location of the ant hole. However, pinpointing the hole is no simple matter — and it's possible that multiple ant hole locations were used in the movie.
The Lovejoy Buttes are the dominant system of buttes in the town of Lake Los Angeles, dwarfing the heavily filmed Phantom Hill and Queensglen Butte, which we examined in Part 1, and even larger than the major buttes on the outskirts of town, such as Alpine Butte and Rocky Buttes.
The Lovejoy Buttes span a swath of desert from 145th Street on the west to 170th Street on the east, and extend north and south from just below Avenue O to Avenue Q.
Much of the filming at Lovejoy Buttes was historically concentrated around the west end and southwest corner of the formation, which is where the shoot for the giant ant movie "Them!" took place.
The filming location for "Them!" is just up the road from the "Four Aces" movie set, which we explored in detail in Lake Los Angeles, Part 1.
The "Motaur" fills up at Four Aces in Lake Los Angeles — see Part 1 for details
In case you missed Lake Los Angeles Part 1, you can click here to see it. Part 1 includes not only tons of rocks (literally tons), but also some beloved modern movie sets, such as Club Ed, Four Aces and Belle's Diner.