Why we love old movie locations — especially the Iverson Movie Ranch

For an introduction to this blog and to the growing interest in historic filming locations such as the Iverson Movie Ranch — the most widely filmed outdoor location in movie and TV history — please read the site's introductory post, found here.
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Monday, February 4, 2013

"Made it, Ma — top of the world" ... or "You dirty, double-crossing rat"? Cagney Rock and the one that got away


Promotional still for "The Oklahoma Kid" (1939)

The above promo shot for the James Cagney movie "The Oklahoma Kid," featuring Cagney in a rare Western role, comes courtesy of movie location researcher Jerry England. The rock directly behind Cagney's head can still be found at the former Iverson Movie Ranch in Chatsworth, Calif. Unfortunately, the overhanging rock hovering above Cagney no longer exists — it was destroyed around the late 1980s to early 1990s when the Cal West Townhomes development was built.

This markup version of the promo still should make it clear which two rocks we're talking about. The overhanging rock has earned the nickname "Overhang Rock," appropriately enough, while I've taken to calling the other one "Cagney Rock."

When I recently found that same rock — the one behind Cagney's head — at Iverson it seemed like kind of a big deal so I honored the occasion by naming it Cagney Rock, at least in my own mind. The above shot shows Cagney Rock in its current setting — from as close as it's possible to get to the same angle seen in the promo shot. These days it's part of the landscaping for the condos. It's no longer possible to duplicate the exact angle of the Cagney promo still.

To be honest, it's not a particularly impressive rock in person — this is probably the best shot I could get of it. You might say it dressed up for the occasion with a dashing "fern necktie." The unnamed rock behind it — which will show up better in some of the photos below — is bigger and, I suppose, grander. And neither of them is nearly as spectacular as "the one that got away" — Overhang Rock. But these two both deserve credit for surviving — and Cagney Rock earned some recognition with its featured appearance in the promo shot.

"The Desert Horseman" (1946)

The one that got away: This is another view of the overhanging rock that hovers above James Cagney in the "Oklahoma Kid" promo still at the top. The thing has had a number of nicknames, the most common being Overhang Rock. I've also seen it referred to as Oklahoma Kid Rock, and I heard recently that some film location researchers have been calling it "Justice Rock," after an appearance by the rock in the Johnny Mack Brown B-Western "Oklahoma Justice." In the above shot from the 1946 Durango Kid movie "The Desert Horseman," the rock reminds me of a rooster, possibly missing its head. Anyway, the shot gives some idea of the scale of Overhang Rock, which was clearly taller than a horse and rider.

Here you'll see I've marked up a copy of the "Desert Horseman" shot, for no apparent good reason. I did want to make sure readers can positively ID Cagney Rock, and I also will use this opportunity to confess that, early in my Iverson Research — before I learned of Overhang Rock's more proper identities and back when I was still taking a more whimsical approach to rock identities — I gave the rock the unofficial nickname Rooster Boy.

"Escort West" (1959)

A shot from the Victor Mature Western "Escort West" shows a portion of Overhang Rock, in the bottom left corner, along with its neighbors, including Cagney Rock, partially visible at bottom center, just to the right of the small tree near the center of the photo. (That tree, by the way, may be the same one, much bigger now, that's blocking the view of Cagney Rock these days — as seen above in the third photo of this blog entry.) This shot gives some idea of the view these rocks had of the rocky Iverson Gorge. The peaks seen in the background, near top center, are across Santa Susana Pass Road from Iverson looking south, above Chatsworth Park.

This is that same shot from "Escort West" with some of the key features marked.

"Land Beyond the Law" (1937)

Overhang Rock was the object of some wishin' and hopin' on the part of Iverson researchers for years, until the sad truth became known just within the past year or so: Overhang Rock no longer exists. The discovery of the neighboring rocks — Cagney Rock and the larger rock next to it, with no Overhang Rock to be found — had a lot to do with proving Overhang Rock was gone. This screen shot from the Dick Foran Western "Land Beyond the Law" shows Overhang Rock, near the bottom left corner, with the much smaller Cagney Rock partially visible directly above Overhang Rock. The smaller rocks to the right of Overhang Rock are gone now too.

A marked-up version of the same "Land Beyond the Law" shot reveals some of the survivors, along with the casualties of development, in Iverson's Upper Gorge.

"The Cheyenne Kid" (1940)

Here's a view of the same group of rocks from the opposite side — looking up at them from down the hill, looking more or less to the north — as seen in the Monogram B-Western "The Cheyenne Kid." Seen here, right to left, are Overhang Rock (above and to the right of the cowboy's head), Cagney Rock (the smaller rock perched kind of precariously, directly above the cowboy's head) and the unnamed "bigger and grander" rock to the left of Cagney Rock that also survived and can still be found at the site today.

The same shot from "The Cheyenne Kid," with the key players highlighted.

Here's what the survivors of that group look like today from about the same angle. Sorry about the dark shot but it was getting toward dusk and these rocks all now live in the shade of that one tree mentioned above. The rocks seen here are the same ones above and to the left of the cowboy's head in the "Cheyenne Kid" shot above.

One last look at the surviving rocks as they appear today, highlighting the main man — the "Oklahoma Kid" himself, Cagney Rock.

Friday, February 1, 2013

Location verite: You can visit the spot where Ronald Reagan was gunned down

The 1955 RKO Western "Tennessee's Partner," starring Ronald Reagan, John Payne, Rhonda Fleming and Coleen Gray, has one of my favorite Iverson Movie Ranch sequences, shot in Garden of the Gods. It's the climactic sequence of the movie, and it takes place in an area that has been preserved as a park and remains open to the public.

"Tennessee's Partner" (1955): Ronald Reagan at the Miner's Cabin

Reagan plays a character known only as Cowpoke — he's the "Partner" in "Tennessee's Partner." Here's a shot of Cowpoke from early in the movie, at the Miner's Cabin — also known as the Lone Ranger Cabin — which was located on the Upper Iverson. The stone foundation visible at the bottom of the photo is still in place at the site.

Foundation of the Miner's Cabin in recent years

This is what's left of Miner's Cabin today — the stone foundation and front steps. The two largest rocks toward the left of the photo are the same as the two big rocks at the bottom left of the Reagan photo at the cabin, above.

Stop reading here if you don't want to know what happens in the movie, as I have to reveal it to show what happened to Reagan's character and where it all went down. Cowpoke meets his demise toward the end of the movie, setting up the climactic chase and fistfight. He's gunned down in an underhanded way by a sniveling weasel named Turner, played by veteran character actor Anthony Caruso. Cowpoke dies heroically, stepping in front of a bullet from Turner, intended for Cowpoke's friend Tennessee.

The shooting takes place near Grubstake's Claim, which in reality is a shallow cave on the back side of a familiar sandstone giant known as the Phantom. That's the weaselous Turner holding Grubstake's sign as Turner tries to take over the claim. The back side of the Phantom is in the background.

Turner takes cover just inside the entrance to Grubstake's Claim — actually a shallow indentation in the rock and not the full-on mine or cave the filmmakers made it out to be.

The site of Grubstake's Claim in modern times

Here's a shot of Grubstake's Claim as it appears these days. You may be able to match up both the main "mine entrance" at the center of the photo and the small diagonal crack in the rock seen at the left. That smaller crack can also be seen in the screen shot above of Turner holding the sign. The site is a little less accessible today, with some foliage blocking the view.

This is the scene moments before Reagan's character, Cowpoke, takes the fatal bullet. That's Reagan in the light-blue shirt. He and his partner, Tennessee (John Payne, at the right), appear to have captured Turner — but they don't realize that the slippery villain is carrying a concealed handgun.

The sequence is filmed in what I call "location verite," meaning if someone runs off in a certain direction, the next shot really takes place in that direction, not somewhere else that may have been more convenient — or cheaper — to shoot. The characters are in approximately the same position in both of the above two shots — filmed first from the back and then from the front. If you go to the site today you can find all of the rocks in this sequence — although the huge tree in the above shot is not there.

Reagan's character is not aware he's about to die. As he and Tennessee are preoccupied with the sheriff, who came up behind them, Turner, at center, goes for his gun.

In this shot, Reagan has just taken the bullet. Turner's about to make his getaway and Tennessee, at the right, missed the whole thing because he had turned around to face the sheriff. Grubstake's Claim in the background pinpoints the spot.

Reagan's death scene — Cowpoke's last words to his friend Tennessee.
Here's where Cowpoke fell dead, in central Garden of the Gods.

In the movie, Turner makes a run for it ...

The getaway site as it appears today — Getaway Rock on the right

Here's that same spot during a recent visit, including the large boulder on the right, which I call Getaway Rock because of its role in this sequence. I walked the area with screen shots and was able to trace the path of the action and find where every shot was taken — thanks to the movie being shot in location verite.

Tennessee takes off after Turner, catches him, and they launch into an epic fistfight, all of which is captured in a series of lavish shots of rarely filmed rock features on the west side of Garden of the Gods. In the above scrape, Turner starts to get what's coming to him, being flung over a sharp-edged rock by an enraged Tennessee.

The sharp-edged rock today

Here's the same spot in recent times — still easy to get to and easy to find if you follow the action in the movie. Many of the same rocks can be seen in both of the above two shots. The movie shot was taken from a distance with a long lens, which accounts for the rock in the background (behind the dead tree in the movie shot) appearing closer in the movie than in the recent photo. That background rock is one of the highest in Garden of the Gods.

Here's another view of the fight scene today, from a reverse angle. The big rock that dominates this shot — a mighty distinctive critter — appears on the left in the previous shots. The "sharp-edged rock" appears here as the small, triangular one in the foreground, toward the left.


Below is a clip from "Tennessee's Partner" containing the climactic sequence — including most of the rocks mentioned above:



Location verite is a technique that was rarely used in the B-Westerns, where keeping costs to a minimum was the guiding principle. It's refreshing to find it here, and it's an indication the movie probably had a little bigger budget. It's a good technique from the standpoint of realism, and as a bonus it makes it easier to do location research.


Click here for a little more about the "Tennessee's Partner" shoot in a blog post mainly about the Judy Garland movie "The Harvey Girls," which was partially shot in the same area.

Sunday, January 6, 2013

Meena's Cabin in "Bonanza": Is this the last set built at Iverson in the filming era?

Here's a cabin that turned up in a "Bonanza" episode called "Meena," which premiered Nov. 9, 1969. The small wooden building, with its unusual roofline, would have been one of the last sets, possibly the very last set, built at the Iverson Movie Ranch while it was still a working filming location.


The surrounding rocks pinpoint the exact location where Meena's Cabin stood, which is on a piece of property that now contains an upscale estate at the end of a cul de sac on the former Upper Iverson. The above shot, taken from the rocks up above and to the east of the cabin — from an area near a familiar movie rock known as Eagle Beak Rock — shows the cabin from the opposite side of the first shot, revealing that it was in fact a full four-sided cabin and not just a "front."

That's the title character, Meena — played by Ann Prentiss — out in front of the cabin with a rifle, and Little Joe, played by Michael Landon, hurrying to try to keep her from killing somebody. (She happened to be taking aim at Candy, a good friend of the Cartwrights.)


Here's a look at Eagle Beak Rock today, at the top of the frame. You may recognize it from its hundreds of appearances in the backgrounds of chase scenes in B-Westerns, early TV shows and other productions, especially from the 1930s through the 1950s. The location of Meena's Cabin was approximately on that patch of grass near the center of the photo. The house partially visible at the far right is part of the property where the cabin stood, while the fence in the lower right corner belongs to a neighboring property.


Eagle Beak Rock turns up over and over again. Here it is at top left in the 1950 Columbia Western "Calamity Jane and the Texan," starring Evelyn Ankers and Jimmy Ellison.


Another appearance by Eagle Beak Rock, this time in an early "Bonanza" episode — "Desert Justice," which aired during the first season, premiering Feb. 20, 1960.


This is a cool shot from that same early Bonanza episode, "Desert Justice." In this view of the South Rim on the Upper Iverson, part of the concrete bridge is visible in the top left corner, and the white area at the top center of the photo is the creekbed for Fern Ann Creek (sometimes called Iverson Creek), which looks as though it was pretty dry at the time. The creek continues to flow these days, although it is usually little more than a trickle. The prominent rock feature at the far right of the photo, directly to the right of the horses, is sometimes called Gold Raiders Rock. It includes a smaller rock that was cemented on top of a larger rock, and this feature remains in place today.


"Bonanza" shot about 40 of its 430 episodes at Iverson during an impressive 14-season run on NBC (1959-1973). In my experience, when the series did shoot at Iverson it made great use of the place. It was one of the most successful of all television Westerns, and one of the most high-profile shows to shoot at Iverson. So if Meena's Cabin was in fact the last set built for filming at Iverson, it provided a fitting final chapter to the movie ranch's filming era.

Saturday, January 5, 2013

Pear Rock, a fake mine ... and two Grove Cabins

"Bells of Rosarita" (Roy Rogers, 1945) — Grove Cabin

One of the so-called "permanent" buildings on the old Iverson Movie Ranch was a small cabin located in the Eucalyptus Grove, known as the Grove Cabin.

Pear Rock, next to Grove Cabin ("Bells of Rosarita")

The Grove Cabin was located immediately west of Pear Rock, seen here in the same "Bells of Rosarita" sequence as Roy and the boys sneak up on the cabin.

Pear Rock as it appears today

Pear Rock is still around. The angle isn't exactly the same, but you may be able to spot some of the same markings on the rock in the above two photos.

Here are a few of the puzzle pieces to help you get oriented.

And those same puzzle pieces noted in the "Bells of Rosarita" screen shot.

"Bells of Rosarita" — Pear Rock, left, and Grove Cabin

This shot from the "Bells of Rosarita" sequence shows Pear Rock on the left and Grove Cabin on the right, with a blurry Gabby Hayes in the middle. Note the muffin-shaped rock above the cabin.

"Law of the Canyon" (Charles Starrett, 1947)

For a period of time the Grove Cabin had this odd-looking fake mine next to it. This mine was unusual because the light-colored fake rock material was combined with an actual rock — the darker angular part to the right of the mine entrance — giving the construction a two-tone effect.

The fake mine area as it appears today

The angular rock that was a part of the mine construction is still in place — here's what it looks like today (near the center of the photo). Also visible in this photo is the tall muffin-shaped boulder that looms above Grove Cabin in the movie shots.

"Law of the Canyon"

This blurry shot from "Law of the Canyon" shows the proximity of the fake mine, on the right, to Grove Cabin, on the left.

"Circus Boy" TV show episode "The Masked Marvel" (premiered Dec. 9, 1956)

Grove Cabin stood from about 1939-1958, a long time by movie set standards. Near the end of that run a second cabin was added to the set, immediately west of the original cabin.

The smaller second cabin stood more or less where the fake mine previously stood. (TV trivia time: "Circus Boy" starred a young Micky Dolenz, who would go on to greater fame a decade later as a member of the '60s pop band the Monkees.)

"Gunsmoke" episode "Claustrophobia" (premiered Jan. 25, 1958)

This shot from the TV series "Gunsmoke" again captures the two Grove Cabins, along with some of the Grove's trademark eucalyptus trees.

The tall muffin-shaped boulder continues to loom in the background, directly above the main cabin.

"Bells of Rosarita": Muffin-shaped rock behind the cabin

Another shot from "Bells of Rosarita" highlights the rock's muffin shape.

The Grove Cabin site in 2016

A recent photo of the area where the Grove Cabin once stood shows Pear Rock on the left and the muffin-shaped rock on the right.

A close look at the muffin-shaped rock as it appears today reveals that it's no longer as "muffin-shaped" as it once was.

A large chunk of the once top-heavy rock has fallen off in the years since the area was used for filming, leaving behind a flat, lighter-colored area of unweathered surface along the eastern face of the rock.