One of the most interesting filmmakers to embrace the Iverson Movie Ranch as a shooting location over the years is Roger Corman, whose Iverson work goes all the way back to his first movie as a director.
The cast includes Mike Connors — long before he became famous as TV's Mannix, back when he was known as "Touch Connors" — and the potent screen presence of Dorothy Malone, who tantalizes the outlaws with her raw sexuality. John Lund, best known for Billy Wilder's "A Foreign Affair" (1948), plays the male lead.
This shot, looking south from Iverson's Cactus Hill, offers a rare long-distance view of the movie ranch's most famous section, the Garden of the Gods (to the left of the riders), along with a familiar rocky background hill above Chatsworth Park, which I call Elders Peak (directly above the riders), and a look at the western San Fernando Valley — still rural at that time — including Chatsworth Reservoir (above the rider in the rear). You may want to enlarge the photo, by clicking on it, to get a better look at these features.
Corman's Iverson shoot for "Five Guns West" is an unusual one, taking place mostly on Cactus Hill — probably the most prominent single feature at Iverson, but one that was typically seen only in the background and was rarely used as a shooting location in its own right. Corman used that fact to his advantage, shooting heavily on Cactus Hill and getting unusual shots in the process. The above shot, looking north from Cactus Hill, provides a rare glimpse of a rock I call Gorilla, seen at the right of the photo, just above the halfway point.
Here's another view of Gorilla from a recent site visit, again looking north. You can also see Oat Mountain in the distance, along with some of the estates that now fill the former Upper Iverson. For the Iverson aficionados, that's the back end of Turtle Rock directly to the left of Gorilla.
Here's a shot of the Head that I snapped on a visit to the site in the past year or so. You may notice some of the same hills in the background that are seen in the "Five Guns West" shot above, although they're a bit overexposed here.
"Apache Woman," 1955, directed by Roger Corman
In the case of the Head, I'm sure it wasn't done specifically for the Corman movie. It's not the kind of thing he would budget for, and besides, it was probably done a few years earlier. The bulk of the cement work at Iverson appears to have taken place around 1950-1951, indicating that the practice may have been associated with the transition from B-movies to early TV shows. Maybe the Iversons felt they had to "spruce up" the place to get it in shape for what would turn out to be extensive TV work in the 1950s. Oddly, most of the "stacked rocks" created during the "cement scare" of the early 1950s never ended up being used much — with a few noteworthy exceptions, which I will cover in a future post.
Jack Ingram Ranch, as seen in "Five Guns West"
For now, suffice to say that whatever the motivation was to create "the Head," the rock almost never turned up in any productions. I'm sure it will eventually show up somewhere else, but at this time Corman's "Five Guns West" is the only movie I've found that features it.
"Viking Women and the Sea Serpent,"
1957, directed by Roger Corman
Roger Corman returned to Iverson a number of times, especially early in his career, and whenever he shot there — often with "Five Guns West" cinematographer Floyd Crosby — he typically found inventive ways to shoot it. The pair collaborated again on another Iverson Western, "Apache Woman," later in 1955, and Corman continued to shoot at Iverson even after moving on from Westerns to his trademark cult movies — including "Viking Women and the Sea Serpent" (whose full title is much longer) in 1957 and "Teenage Caveman" in 1958. I'll feature more of Corman's Iverson work in Part 2.
Below is a link to a DVD version of "Five Guns West" on Amazon — highly recommended.