Iverson Movie Ranch 101: Hidden gems in the opening to the TV show "The Lone Ranger"

Clayton Moore and Silver: The Lone Ranger

"The Lone Ranger" remains one of the most popular TV Westerns of all time, and its famous opening sequence, with Rossini's "William Tell Overture" blaring its fanfare as Clayton Moore storms across the Iverson Movie Ranch on the back of his trusty steed Silver, has been hard-wired into our collective consciousness — to the point where many of us will never be able to hear the composition without thinking of the legendary Masked Man.

Gioachino Rossini, the "King of Opera" ... and composer of the "William Tell Overture"

A number of different versions exist of that iconic TV show opening, and a degree of confusion surrounds the sequence — especially when it comes to filming locations. Figuring out just what's going on in the various "Lone Ranger" openings is part of Fundamentals of the Iverson Movie Ranch, or "Iverson 101."

By the way, is it just me? ...

  John Goodman, above, and Gioachino Rossini are not the same guy

Return with us now to those thrilling days of yesteryear, as the Lone Ranger rides again ...

Below you will find several versions of the opening to the TV show. I will do my best to sort them out — and feel free to expand any of these video clips to full screen by first clicking on the red and white arrow, then clicking on the frame icon in the lower right corner, next to the YouTube logo ...

The 1954 opening to the "Lone Ranger" TV show, seen below, combines footage shot in 1954 — including the first 20 seconds or so of the video, along with the shot of Silver rearing up at Lone Ranger Rock — with original footage shot in 1949. This version debuted when Clayton Moore returned to the series in 1954 for the show's fourth season after sitting out season three. John Hart filled in for Moore during season three, but was never widely embraced by fans of the show. 

 


1954 version of the opening to "The Lone Ranger" — shot in part on the Iverson Movie Ranch

The opening seen above begins with a 20-second sequence that was shot in the desert north of Los Angeles in 1954. This sequence was once thought to be filmed in Lone Pine, Calif., but in 2018 we found the actual location near Lucerne Valley, Calif. For more about this location and the 1954 version of the opening, click here.

 

The Ranger's original ride toward Lone Ranger Rock (below), included in the 1949 and 1954 openings

After those first 20 seconds in the 1954 opening, the scene transitions to the Iverson Movie Ranch, where Clayton Moore, as the Lone Ranger, rides south through the Iverson Gorge as the cry of "Hi-yo Silver!" is heard and the familiar voiceover comes on, talking about "a fiery horse with the speed of light, a cloud of dust, and a hearty 'Hi-yo Silver!'" Most of this sequence was shot in 1949.

With the Lone Ranger in the saddle, Silver rears up next to Lone Ranger Rock in the Iverson Gorge, 

from the 1954 version of the opening to the TV show

The big moment starts about 31 seconds in, as Lone Ranger Rock comes into view and Silver rears up on his hind legs next to the popular landmark. Every version I've seen of the opening has a series of edits during the "rearing up" scene, and these edits hold clues to when the footage was shot. The sequence with the Lone Ranger riding toward the camera on his way to Lone Ranger Rock is from 1949, and appears to show Clayton Moore riding Silver. But it is believed that the original 1949 "rearing up" sequence was done by a stunt rider. When this version of the "rearing up" sequence was replaced in 1954, it was Clayton doing the rearing up on Silver, as seen above.

Lone Ranger Rock as it appears today

Lone Ranger Rock, which got its name from its appearance in the opening to the TV show, is still standing, on the former site of the Iverson Ranch in Chatsworth, Calif. You can see it from the car as you drive north on Redmesa Road, just north of Santa Susana Pass Road, and you can also get out and hike a short distance for a photo op with the rock — provided you're willing to put up with slippery terrain, poison oak and the possibility of rattlesnakes.

The Lone Ranger heads down the Gorge in the extended version of the original 1949 opening

As the clip continues, the Lone Ranger leaves Lone Ranger Rock and continues south through the Iverson Gorge. A version of this part of the ride appears in both the original 1949 opening and a 1956 reshoot, but the most commonly seen versions (from the 1956 reshoot) cut out before the point seen in the screen shot above. The original 1949 clip above contains one of the longer versions of the Ranger's ride into the Gorge.

A shot of Iverson's Upper Gorge from the original opening, just before the ascent to Lone Ranger Rock

The above shot, from the original 1949 opening, appears moments before the Lone Ranger makes a right turn to head up to Lone Ranger Rock. It's seen at about the 28-second mark in the clip above. The shot features a portion of the Iverson Gorge, including key rocks that are still in place today.

 

Sea Leopard, a key feature of the Ranger's ride toward Lone Ranger Rock

One rock that helps define the opening sequence is this one, which I call "Sea Leopard." Despite its relatively large size, Sea Leopard has been a difficult rock to see, as it has been hidden behind trees for decades.

 

Sea Leopard, still in place in the Iverson Gorge

But Sea Leopard is still there, and can be found if you're determined enough.

If you're inclined to try to follow in the hoofsteps of Silver and hike the path taken by the Lone Ranger, it can be done, although at times the thick brush makes it difficult. The trail where Clayton Moore and Silver rode through the Iverson Gorge has been preserved as public land, an unmarked section of Garden of the Gods Park on the east side of Redmesa Road in Chatsworth. As long as you stay below the condos, you should have only the rattlesnakes, poison oak, dense overgrowth and slippery slopes to worry about.

The 1956 reshoot, done when the show transitioned to color for its final season, is essentially new footage. However, a large portion of the new opening closely replicates footage from previous versions filmed in 1949 and 1954. The color version is often seen "retrofitted" to black and white, including for syndication and home video packages. Many viewers have probably watched the various versions of this footage countless times without realizing it's from several different shoots. 

This is the version of the opening that may be the most familiar to fans of the TV show:



1956 opening to "The Lone Ranger" — shot entirely on the Iverson Movie Ranch

Along with new video, this new 1956 version features a new arrangement of the "William Tell Overture" — although it's hard to tell them apart until about 12 seconds in, when the familiar "deedle-eet, deedle-eet, deedle-eet-deet-deet" part, now synonymous with the Lone Ranger, kicks in. (If you play the 1949 clip and pay attention to the music, you may be surprised to find that the "deedle-eet" section is missing from the first half of the clip — but it does come in around the 34-second mark, and accompanies the ride into the Lower Gorge.)

In the new video, Clayton Moore again guides Silver along the same trail through the Iverson Gorge that he traversed in 1949, and again the horse rears up next to Lone Ranger Rock.

Season 5 title shot — the fifth season was the only one shot in color

The backstory on this version is that the opening was completely reshot, in color, in 1956, for the fifth and, as it turned out, final season of the series — the only season of the show that aired in color. This new color version of the opening sequence, shot entirely on the Iverson Movie Ranch, was then "decolorized" for use on subsequent airings and repackages of seasons one through four of the TV show — in reruns, in syndication, on videotape, and eventually, on cable and DVD.

The Lone Ranger and Silver at Lone Ranger Rock, as seen in the clip from 1956

The climactic moment for most fans probably comes about halfway through the clip, soon after the familiar cry of "Hi-Yo Silver!" is heard, when Clayton Moore rides up to the rock we now know as Lone Ranger Rock and rears up on Silver. It is because of this sequence that the rock came to be known as Lone Ranger Rock, and it remains the most famous rock on the former site of the Iverson Movie Ranch.

Here's a side-by-side view of two different "rearing up" sequences shot at Lone Ranger Rock — the 1954 version on the left and the 1956 reshoot on the right.

One quick way to tell the two shoots apart is by looking at the shadows on Lone Ranger Rock during the rearing-up sequence. In the 1954 footage, much of the rock is in shadow, while in the 1956 update, the rock is largely in sunlight.

 

The Lone Ranger and Tonto ride near Lone Ranger Rock in the early 1957
color episode "Breaking Point" (shot in 1956)

Even though Lone Ranger Rock was not yet known by that name, the people behind the TV show clearly understood the rock's importance — which explains why they made a point of shooting the opening multiple times in the exact same location, and why they shot scenes at the rock for the show's final season.

Frame from 1956 version of the "Lone Ranger" opening, with a white gate visible

One element distinguishing the 1956 opening — although it goes by quickly — is a white gate that appears briefly in the background at about the 17-second mark, immediately before the cry of "Hi-yo Silver!"

The gate, which was presumably not meant to show up in the shot, marked the boundary between the Upper Iverson and the Brandeis property to the west. In a later edit of the 1956 opening, which you can see below, the gate has been edited out and a few other minor changes have been made. In other edits of the opening sequence, the gate appears twice.

1956 version of the opening

Here's a shot of the Lone Ranger just before he arrives at Lone Ranger Rock, taken from the 1956 reshoot. This shot can be compared with a similar shot from the original 1949 shoot, which is posted higher up. The next three photos spotlight some of the details in the two shots.

This is the same 1956 shot with a few key details pointed out. Other than Sticky Bun, which was concealed behind foliage in the 1949 sequence, these same features are also seen in the 1949 version.

  1949 version

Here's another look at the comparable moment in the 1949 sequence. With Sea Leopard more visible today than it has been in the past, most of the features in the shot are now relatively easy to find — although finding famous rocks rarely turns out to be as easy as expected.

Here's a comparison of the Sea Leopard sightings in the 1949 and 1956 shots, focusing on one of the key differences between the two shots. Notice how much more foliage appears around and in front of Sea Leopard in the 1956 version, with the native vegetation having grown significantly in just seven years.

I'm including a bonus version here — It's the same footage seen above in the 1956 version, but a shorter edit, omitting the ride down the Gorge after the Lone Ranger leaves Lone Ranger Rock. This clip also happens to run too fast, but I'm including it because the picture quality is better than on the clip above.

Here's the speeded-up 1956 version, which provides a better look at the gate and other details:



1956 "bonus version" — runs fast, but the picture is better

While this clip runs a little too fast (or a lot too fast, depending on your tolerance level), it has the best picture quality I've been able to find for this version of the opening. It runs about 30 seconds and was filmed — and it was film, not video, in those days — entirely on the Iverson Movie Ranch, in 1956.

This next clip is one of a number of variations that have been created of the opening with minor edits. It represents a significant evolution from the first 1956 version in that it deletes the apparently unwanted (and initially overlooked) appearance of the white gate.

  
Edited 1956 version of the opening to "The Lone Ranger," eliminating the gate (shot entirely on the Iverson Movie Ranch)

This version contains a number of additional edits of the footage found in the first 1956 version, besides deleting the brief shot of the gate. One key difference is that in this version, after the cry of "Hi-yo Silver!," the Lone Ranger fires three shots before riding up to Lone Ranger Rock. That's edited down from the five shots he fires in the first 1956 version.

It should be noted that the various openings are not presented here in the chronological order in which they first appeared. But here's the 1956 reshoot as it was intended, in color:



The clip I've posted here is truncated, but it's the best I could find. It does not include any footage after the "rearing up" sequence at Lone Ranger Rock, so it excludes the ride down the Gorge. However, this clip matches the black-and-white 1956 version in that this original color clip also includes the brief glimpse of the white gate, and it also has the Lone Ranger firing five shots after the cry of "Hi-yo Silver!"

Here's the original appearance, in color, of that pesky white gate. This is part of the first segment of the reshot opening, which takes place on the Upper Iverson. In this color clip, the Upper Iverson segment lasts about 17 seconds, right up to the cry of "Hi-yo Silver!," where the scene shifts to the Lower Iverson for the ride past Sea Leopard, the ascent up to Lone Ranger Rock and — had it been included — the eventual ride down into the Lower Gorge.

Another screen shot from the portion of the color 1956 opening that was filmed on the Upper Iverson, this frame includes Pyramid Peak in the background, behind the Lone Ranger's head, along with the Line of Trees. The Line of Trees marked the western boundary of the Upper Iverson, with the neighboring Brandeis Estate on the other side of the trees.

Here's what the opening looks like — and more to the point, sounds like — in Spanish:



Spanish version of the opening to "The Lone Ranger": "El Llanero Solitario"

One of the most interesting things about this Spanish version is that it uses a completely different recording of the "William Tell Overture." I like this one better than any of the arrangements heard on U.S. versions, as the horns have a more dynamic sound — this one cries out to be cranked up. The video footage seen here is the same footage from 1956, shot entirely on the Iverson Movie Ranch. Here again, we see the white gate, and here we again have five shots ring out after the cry of "Hi-yo Silver!" Of course, we also have a completely different voiceover here, in Spanish, along with a "Spanish-sounding" guy yelling "Hi-yo Silver!"

The above examples are by no means an exhaustive collection of the many openings to the TV show. A virtually unlimited number of variations exist, but I tried to hit on the main differences here without going overboard. If you watch your own "Lone Ranger" episodes, you will undoubtedly discover other variations.

 

The General Mills flag, which kicks off the original opening to "The Lone Ranger"

The rarely seen original 1949 opening to "The Lone Ranger" begins with this shot of a flag promoting General Mills, the show's original sponsor. For more about this and other "Lone Ranger" openings, click here.

 

Shout-out to Michael Trotochaud of the Lone Ranger Fan Club for his help and tireless work sorting out the complicated history of the "Lone Ranger" opening sequence.

When legends collide: Bat Masterson vs. the Skipper (from "Gilligan's Island")

Alan Hale Jr., left, as the Skipper, and Gene Barry as Bat Masterson

A confrontation took place in the late 1950s between the man who would go on to become a TV legend as the Skipper on "Gilligan's Island" and the noted actor Gene Barry, who was midway through his first season playing Wild West legend Bat Masterson on the NBC series of the same name.

The incident took place about six years before the premiere of "Gilligan's Island," in an episode of the TV show "Bat Masterson." Here's a clip, filmed entirely on the Upper Iverson Movie Ranch — you can pop it out to full screen by clicking on the frame icon in the lower right corner, next to the YouTube logo:



The clip comes from the episode of "Bat Masterson" titled "A Personal Matter," which was filmed in 1958 and premiered on NBC on Jan. 28, 1959. The action takes place in the Oak Flats area of the Upper Iverson, and along with a number of the location's distinctive oak trees, the clip offers a good look at the famous movie rock known as the Molar.

Here are a few of the highlights, from a location standpoint ...

Around the 8-second mark we get our first look at the Molar, which is identified above.

About 14 seconds in, the above shot shows the close proximity of the Molar to Prominent Rock.

The Line of Trees: This feature marked the western boundary of the Upper Iverson Movie Ranch. On the other side of the Line of Trees was the neighboring Brandeis Ranch, which was also a filming location in the 1930s and 1940s.

Later in the clip we get a shot of the Skipper — er, Alan Hale Jr. — with a number of the famous movie trees of Oak Flats in the background.

A few moments later the clip provides a glimpse of Bear Tree, named after an episode of Disney's 1955 TV serial "The Adventures of Spin and Marty." Please click here to read an earlier blog post about the discovery of Bear Tree.

Finally, a shot near the end of the clip briefly reveals both Round Rock and a tree that was located near Bear Tree that has been referred to in research as Tree D. While Bear Tree, also known as Tree A, survived development and remains in place today on the former Upper Iverson — as does Round Rock — Tree D appears to have been removed sometime in the 1950s.

Chuck Connors and Dale Robertson do some male bonding

Chuck Connors, left, and Dale Robertson in "Tales of Wells Fargo" (1957)

A couple of years before he became famous as "The Rifleman," Chuck Connors helped launch another TV Western, "Tales of Wells Fargo." Connors appeared alongside series star Dale Robertson in the first episode of the show, "The Thin Rope," which premiered March 18, 1957.

"The Thin Rope," 1957: Premiere episode of "Tales of Wells Fargo"

Connors and Robertson shared a stagecoach ride spanning most of the episode, filmed on the Upper Iverson Movie Ranch. The trip gave the two men plenty of time for male bonding … not to mention time to think about whether they might end up trying to kill each other. From a filming location standpoint, the episode was a showcase for the Upper Iverson.

Chuck Connors and Dale Robertson — note the road in the background

The producers tried to get away with a little movie hocus-pocus on that stagecoach trip, through the magic of rear projection and the ability to reverse footage horizontally, or "flip the shot." The above screen shot includes a landmark in the background, Road Up the Hill, and because we've seen the same road in countless other productions, we can see that it appears here horizontally flipped.

This version of the screen shot points out the flipped road in the background, along with the properly oriented actors. Today the Road Up the Hill is part of a firebreak and hiking trail known as Johnson Motorway.

My own "fixed" version of the shot, showing Road Up the Hill in its proper orientation

In the above doctored version of the screen shot, I've flipped the photo to show how the road should look. Unfortunately, this also reverses the actors — in effect creating mirror images of them.

"Go West, Young Lady" (1941)

Here's an example of Road Up the Hill in another production. The road was seen hundreds of times in the backgrounds of movies and TV shows shot on the Upper Iverson. Here the road appears in a scene from the Columbia Western comedy/musical "Go West, Young Lady," which starred Glenn Ford, Penny Singleton, Ann Miller and Charlie Ruggles.

In this version of the shot from "Go West, Young Lady" the Road Up the Hill is pointed out. It's seen more clearly here than in the reverse-projection footage used in "Tales of Wells Fargo," but its distinctive shape leaves no doubt that it's the same road.

 "Tales of Wells Fargo" — Chuck and Dale approach the Reflecting Pool

Here we see the stagecoach negotiating an especially rocky stretch of road through Bobby's Bend. This rough piece of road, which I call the Floor, is ribbed with a series of large boulders, posing a formidable obstacle. While it seems nuts to even try to traverse this section of what could hardly be called a "road" in a rickety wooden stage, presumably this sort of thing was par for the course in the days of stagecoach travel — and here the stage does make it over the obstacle.

The photo contains a number of Upper Iverson features. You can learn more about these features by clicking on the following links: Wrench Rock, Smiling Lion, Two-Humper, the Aztec.

"The Tomb" (1986)

Here's one of the best views of the Floor that I've seen in any production. This view from high above Wrench Rock appears in the movie "The Tomb," a Fred Olen Ray film about an Egyptian curse with a cast that included John Carradine, Sybil Danning and Cameron Mitchell. It was one of the later films shot on this part of the Iverson Movie Ranch, and as you can see, the producers brought a couple of camels to the site for the shoot.

In this version of the photo from "The Tomb" I've identified the area I call the Floor, along with nearby Gold Raiders Rock, which is partially visible here. Please click here if you would like to see more photos from this unusual Upper Iverson shoot and learn more about "The Tomb" — including the Iverson location of the Tomb itself.

Back to that first "Tales of Wells Fargo" episode, this shot from the video clip above illustrates why the Reflecting Pool has that name, with the camera capturing a clear reflection of Wrench Rock in the pool.

The pool continues to be employed as a creative element as the sequence plays out. Here it conveys partial reflections of two of the bushwackers getting the drop on Chuck Connors. We also see Notch Rock directly above the head of one of the bad guys.

Chuck Connors in "Tales of Wells Fargo," with Wrench Rock in the background

The hat says "goofy Western sidekick" but the eyes say "bad intent." Connors plays an enigmatic character here — is he the naive rube Button Smith, or the notorious outlaw Pete Johnson? We get a tasty glimpse of both personas in his "Tales of Wells Fargo" appearance — and as anyone who ever saw "Nightmare in Badham County" can tell you, there was more to Chuck Connors than the upright citizen and loving dad he played on "The Rifleman."