Why we love old movie locations — especially the Iverson Movie Ranch

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Showing posts with label Branded. Show all posts
Showing posts with label Branded. Show all posts

Thursday, January 1, 2015

The TV series "Branded" reveals another side of the Fury Barn House — and Lassie's Mom

"Branded" (1965) — Fury Barn House, on the Upper Iverson

One episode of the fondly remembered Western TV series "Branded" — Chuck Connors' follow-up to his long run as "The Rifleman" — had a substantial shoot on the Upper Iverson. The screen shot above, presenting a rarely seen angle on the house that was a part of the Fury Set, comes from the episode "The Vindicators."

Claude Akins comes a-callin' on June Lockhart at the Fury Barn House

"The Vindicators" featured guest appearances by Claude Akins and June Lockhart, both of whom were already TV fixtures by the time the "Branded" episode premiered, on Jan. 31, 1965. It was only the second episode of the series, which went on to a two-season run — 48 episodes — on NBC, airing from 1965-1966.

June Lockhart on the Upper Iverson — on the porch of the Fury Barn House

Lockhart was between two celebrated TV gigs at the time. Earlier in 1964, the same year "The Vindicators" was produced, Lockhart wrapped up her six seasons as "Lassie's Mom" — Ruth Martin, adoptive mother of the perpetually wellbound Timmy on "Lassie." She would soon launch into space for her other iconic TV role, playing Mrs. Robinson — Maureen — for three seasons on "Lost in Space," from 1965-1968.

Claude Akins on the Fury Set

Akins had been a regular on both the big screen and the little one since the early 1950s. His guest appearances on early TV shows are too numerous to do justice to here, but just to whet your appetite, Akins popped up on "Dragnet," "Adventures of Superman," "My Friend Flicka," "Whirlybirds," "Have Gun — Will Travel," "Alfred Hitchcock Presents," "Perry Mason," "Maverick," "Cheyenne," "Bronco," "The Restless Gun," "Bat Masterson" ... and that's just in the 1950s.

"The Misadventures of Sheriff Lobo" — Mills Watson, left,
Claude Akins and Brian Kerwin

Akins would later pad his TV resume as Sheriff Lobo on two NBC sitcoms: "B.J. and the Bear," where he helped the show get off the ground with an arc in 1978-1979, and its spinoff "The Misadventures of Sheriff Lobo," where Akins stepped up to the lead role.

I'm reluctant to blame Akins, who was a fine actor, but "Misadventures," despite surviving for two seasons on NBC, from 1979-1981, became known as one of TV's worst shows. TV Guide eventually codified that sentiment when it released its "50 Worst TV Shows of All Time" in 2002, ranking "Misadventures of Sheriff Lobo" at No. 36.

"Branded" (1965) — Fury Set

The above shot from "The Vindicators" includes a portion of the Fury Barn, along with the edge of the Fury Barn House and part of its picket fence, viewed from the east. This is a fairly uncommon angle on the Fury Barn, which is usually seen from the opposite side.

The background hills to the west include Pyramid Peak and the Dragon's Back, as noted above. Those are my names for the features, which are commonly seen in the backgrounds of productions shot on the Iverson Movie Ranch. That part of the Santa Susana Mountains to the northwest of the San Fernando Valley is also known as the Rocky Peak area, but Rocky Peak itself is farther north.

"Frontier Doctor" TV series (1959)

This is a more typical view of the barn, as seen in the Rex Allen TV series "Frontier Doctor." In this shot the Fury Barn House is hidden behind the barn.

"The Gambler Wore a Gun" (1961)

This shot from the Jim Davis B-Western "The Gambler Wore a Gun" has a similar angle on the Fury Barn, but in this case a portion of the Fury Barn House can be seen peeking out from behind the barn.

"Cimarron Strip" (1968)

Here's another view of the Fury Barn, in color this time but again showing mainly its western side. The shot comes from the "Fool's Gold" episode of the TV show "Cimarron Strip," which premiered Jan. 11, 1968.

"Fury" TV series (1955): The beginnings of the Fury Set

The barn was built in 1955 for the TV series "Fury," with the Fury Barn House added three years later. The set as a whole, which also included the corral and a cabin west of the corral that was built in 1958, is generally known as the Fury Set or the Fury Ranch Set. However, the house next to the barn, the "Fury Barn House," was seen only sparingly in "Fury," appearing as the family home of young Packy Lambert during the show's final two seasons.

1959 aerial photograph of the Fury Set and Midway House areas

A house located a short distance south of the Fury Set, which I call the Midway House, was used as the main family home — where the Newtons lived — on the TV show "Fury." The 1959 aerial photo above shows the main Fury Set to the north, along with the Midway House to the south.

It's worth noting the location of what is probably a movie truck on the Fury Set, which happened to be caught when the 1959 aerial photo was taken. The truck is parked near the Fury Barn House, where the truck, along with the house, would have been out of view of cameras shooting the barn and the western end of the Fury Set. Another truck appears to be parked near the Midway House.

"The Gambler Wore a Gun" (1961) — Midway House, right, and the Fury Set

This shot from "The Gambler Wore a Gun" provides a view of parts of Midway House and the Fury Set in the same frame. A portion of Midway House fills up the right half of the photo, while the Fury Barn and Fury Barn House can be seen in the background at the left. For better pictures of Midway House, please see this previous blog post.

"Have Gun — Will Travel" (1958): The Fury Barn House

This is one of the earliest appearances by the Fury Barn House, which saw action in movies and TV shows starting in 1958 and continuing through the 1960s. The house, which was not filmed frequently, was typically shot from angles similar to the one used above, showcasing its southwest face.

"Have Gun — Will Travel" episode "The Lady" (premiered Nov. 15, 1958)

The porch area, noted here in red, is part of the house's southeast face and is featured in screen shots from the TV show "Branded" seen at the top of this post. Oat Mountain, to the north, appears in the background.

The Fury Barn House made a nice appearance near the end of the four-season run of "The Fugitive." A corner of the house can be seen above in the background of a title card for the episode "The Shattered Silence," which premiered April 11, 1967. It was the last episode before the show's famous two-part finale.

"The Fugitive" (1967)

That's David Janssen, still on the run as Dr. Richard Kimble, arriving at the Fury Barn House.

Here's a good look at the southwest face of the Fury Barn House as it appeared in "The Fugitive."

Burt Reynolds at the Fury Barn House (1962)

The Fury Barn House also surfaced in a 1962 Burt Reynolds photo shoot for "Gunsmoke." You can see additional photos from the shoot, which included pics of Reynolds at the Fury Barn, by clicking here.

"Black Saddle" TV series (1959)

This is a shot that only a film location researcher could love, as it's a bit of an aesthetic mess. But I did find a lot to love here, once I realized that the Fury Barn and Fury Barn House appear in the background. Besides placing the Fury Set in the wider context of the Upper Iverson, the shot underscores that the rarely seen southeast face of the Fury Barn House may have been more substantial than its more frequently shot southwest face.

This version of the shot points out the manmade structures of the Fury Set in the background. Sadly, the Fury Set was destroyed in the massive Southern California wildfires of fall 1970.

Chuck Connors and Claude Akins (1965)

Wednesday, December 3, 2014

Off the Beaten Path: The Barkley family mansion and barn in "The Big Valley" — and where in tarnation did they drop off Miss Kitty in "Gunsmoke"?

The Barkley family mansion, as seen in the title sequence for "The Big Valley" (1965-1969)

It's fairly well-known that the Barkley family mansion on the TV series "The Big Valley" was located on the old Republic backlot in Studio City, Calif. But I recently uncovered a few tidbits about the sets used for the show that I don't think have been publicized much, if at all.

The Mansion, as seen on "The Big Valley"

This screen shot comes from the episode "Under a Dark Star," which premiered Feb. 9, 1966, during the show's first season. The building on the Republic lot that served as the Barkley mansion tends to be referred to somewhat generically as "The Mansion," or the Mansion set.
"The Mansion," on the Republic backlot in Studio City

This shot of the Mansion is unrelated to "The Big Valley" or any other production, as far as I know, but has been circulated as something of a reference shot of Republic's Mansion set. The photo also appears in Tinsley E. Yarbrough's quintessential book "Those Great Western Movie Locations." Tinsley notes that the mansion was originally built for the 1949 John Wayne movie "The Fighting Kentuckian."

"The Big Valley" — closing credits

Here's the shot of the mansion that appears while the closing credits roll at the end of episodes of "The Big Valley." The one-hour series aired for four seasons and 112 episodes on ABC, from 1965-1969, and was part of a wave of TV Westerns including "Bonanza," "Gunsmoke" and "The Virginian" that helped transition the genre from its primary role in the 1950s as children's entertainment into a well-regarded adult dramatic format.

The Barkley family barn, as seen on "The Big Valley"

The Barkley family's red barn, seen in a number of episodes, was also located on the Republic backlot. The barn was part of the Duchess Ranch set, which happened to be adjacent to the Mansion set. This shot comes from the episode "The Fallen Hawk," which premiered March 2, 1966.

The seemingly small house on the left is part of a large house that was situated near the Mansion. This gray house and the barn effectively made up the Duchess Ranch set, which was used repeatedly by Republic when it was cranking out B-Westerns.

"Santa Fe Passage" (Republic, 1955)

The Mansion set occasionally snuck into the shot in productions that featured the Duchess Ranch set, as in this example from the John Payne-Rod Cameron Western "Santa Fe Passage."

The shot is intended to feature the Duchess Ranch set, but since we know where to look — in the top left corner — it's easy to spot the Mansion peeking around the corner.

Additions and upgrades to the Duchess Ranch barn for "The Big Valley"

Even though the barn as it appears in "The Big Valley" is seen from close to the same angle used in "Santa Fe Passage," its appearance is markedly different in the two productions. For "The Big Valley," along with a new red paint job, the barn had a number of additions built on — including a new covered entry area. A freshly painted new corral area was also set up.

Here's another view of the new covered entry area that's part of the barn set for "The Big Valley."

The barn also sports a new turret on top.

"The Golden Stallion" (Republic, 1949) — Duchess Ranch

The same set was featured in countless productions over the years, usually looking more like a typical dusty old Western ranch set — as it does here in the Roy Rogers and Trigger showcase "The Golden Stallion."

"The Big Valley" — gate to be replicated in the Conejo Valley

The new corral area seen in "The Big Valley" was used to help establish a separate filming location where the producers wanted viewers to believe the Barkley family compound was located, which is seen in the shot below.

"The Big Valley" — the replica gate, from the episode "Image of Yesterday"

The episode containing this screen shot of a replica corral gate — presumably meant to represent the gate back on the Republic lot — premiered Jan. 9, 1967, during season two. This gate appears in a number of episodes, with characters riding through it as they arrive at or depart from the Barkley compound.

"The Big Valley" episode "Image of Yesterday" (1967): Lindero Canyon

The location of the gate is clearly meant to define the setting surrounding the Barkley family home on "The Big Valley." However, in the real world, the gate was located miles away in what is now the suburb of North Ranch, Calif., in the Conejo Valley's Lindero Canyon. It appears that the only part of the "Big Valley" set that stood in this location was the replica of the gate.

A close look at the gate and fence that were set up in Lindero Canyon reveals that they're not a perfect match with the gate at Duchess Ranch in Studio City. While the supports on the crossbar at the top and the diamond-shaped bracing on the gate itself are a good match, the configuration of the fence is a giveaway.

Another bend in the layout of the fence belies the producers' attempt to replicate the Duchess Ranch set.

"The Big Valley" — shot in Lindero Canyon

This scene from "Wagonload of Dreams" was shot near where the replica gate was set up. You may detect commonality in the background hills between this photo and those featuring the gate set. (See the next photo, for example.) This episode first aired Jan. 2, 1967, one week before "Image of Yesterday," and was probably part of the same shoot.

"The Big Valley" — "Cage of Eagles"

The gate and background hills appear again in the episode "Cage of Eagles," which aired later in season two, premiering April 24, 1967. I wonder how long that gate would have stayed in place out there — or whether they kept putting it up and taking it down. More'n likely, they just kept recycling the same footage.

Here again are the two shots above, combined to show that they contain the same rocky bluff in the background. While the bluff is more distinct in the top half of the composite, from "Wagonload of Dreams," the overall shape matches the more distant shot on the bottom, from "Cage of Eagles."

"Branded" TV show (1966) — same bluffs in the background

Lindero Canyon being a bit off the radar, tracking down the location of the "Big Valley" gate set took some doing. But the locale did play host to some filming activity, especially in the mid-1960s — this "Branded" shot being another example.

The bluffs pull one's eye off course sometimes, so here we can make sure we're on the same page. The bluff circled above in red is easy to mix up with the one to its right. The "Branded" shot comes from the episode "Call to Glory, Part 3," which wrapped up a three-part series of episodes that aired in February and March 1966.

The bluff at the right in this shot can also be seen in "The Big Valley," in the shot from "Wagonload of Dreams," where it appears above and to the right of the wagon. The bluff in the center of this shot is not seen in any of the "Big Valley" shots, but surfaces here because the "Branded" scene was shot from a much higher angle.

Google Earth photo: Hiking trail below the Simi Ridge

A photo I found posted on Google Earth, taken by a hiker along a trail in the Lindero Canyon area, captures the same bluffs seen in "Branded" and "The Big Valley," albeit from a different angle.

I've labeled the bluffs appearing in the photo posted by the hiker to show how they match up with the "Branded" shot, which appears below with similar labels.

Here's the "Branded" shot again, labeled to show how the bluffs match up with the photo posted by the hiker.

"Gunsmoke" (1965) — the Miss Kitty dropoff location

The Lindero Canyon shooting location first came to my attention as part of a search by Michael D, one of the readers of this blog. Michael is a "Gunsmoke" fan and mentioned that he had been searching for the remote location seen above, where Miss Kitty gets dropped off by the stagecoach in the episode "Gold Mine."

This clump of rocks in the "Gunsmoke" scene was the focal point of Michael's location hunt. I've since come to think of them as the "Miss Kitty Rocks."

Amanda Blake as Kitty, stranded at the "Miss Kitty Rocks"

In the "Gunsmoke" episode, Miss Kitty is dropped off by the stagecoach and left at the clump of rocks, where it's pertinent to the theme of the episode that she's stranded in the middle of nowhere. The episode premiered on Christmas Day in 1965 as part of "Gunsmoke's" 11th season.

As it turns out, the same clump of rocks also appeared in "Branded," although it was shot from a different direction and so it had a different background — the bluffs forming the Simi Ridge.

The hiker who posted the Google Earth photo taken along the trail above Lindero Canyon, with the bluffs in the background, also posted this shot, taken from close to the same spot. The shot contains the same hills seen in the background during the "Gunsmoke" sequence.

Here's a side-by-side comparison of the hills above Lindero Canyon as they appear in the background of the hiker's photo and in the "Gunsmoke" sequence. The same hills appear in both photos.

While I had a hand in helping to put a few of the pieces together, it was Michael who nailed down the "Gunsmoke" location as Lindero Canyon. Between the two of us, we were able to determine that the site of the original clump of rocks where Miss Kitty was dropped off was approximately here — in what is now a suburban back yard in the community of North Ranch. In an enticing twist, it appears that at least some of the original rocks have survived.


Off the Beaten Path is a series of posts that are not specifically focused on the Iverson Movie Ranch. Typically they're about filming locations in Southern California. Past subjects have included Corriganville, Bell Ranch, Pioneertown and Mulholland Drive, to name a few. You can go directly to the Off the Beaten Path posts by looking up the term "Off the Beaten Path" in the long index of labels at the right of the page, or by clicking here (recommended!).