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Showing posts with label fake caves. Show all posts
Showing posts with label fake caves. Show all posts

Sunday, April 9, 2017

"The Valley of Vanishing Men": Blinkers, ladders and the perils of Wild Bill Elliott


Promo shot for "The Valley of Vanishing Men" (1942)

I ran across an oddity in a promotional still for the Columbia Western serial "The Valley of Vanishing Men," taken in the Iverson Gorge. The photo is part of Jerry England's incredible collection.

The photo features Nyoka Cliff in the background. With apologies to Wild Bill Elliott, the star of the serial, the most interesting part of the photo, in my opinion, is in the top right corner — outlined here in blue.

Zooming in on that part of the promo shot, we get a better look at a ladder that's hanging on Nyoka Cliff, along with a bridge spanning a gap in the rocks near the top of the cliff.

Then there's this thing — the "oddity" I mentioned above. Not knowing what it is, I had to try to figure it out.

Taking a closer look at it — although, admittedly, it doesn't blow up very well — it appears to be a small table with a box of some kind on top of it. Movie equipment, maybe?

Promo shot for "The Valley of Vanishing Men" — with something missing

Here's where it gets interesting. Another version of the promo shot is in circulation in which the mystery object has been removed. Today we would probably say it was Photoshopped out, but in the analog days of 1942 they would have used a less up-to-date method to airbrush the photo.

In fact, they didn't do a great job of it — you can kind of tell something's going on if you take a close look at that part of the photo.

You can even see what's left of the table legs. To me the most interesting thing about the airbrushed version of the photo is simply its existence, which suggests someone involved in the movie also spotted the mystery object, determined it wasn't supposed to be there, and saw fit to get rid of it.

Lobby card for "The Valley of Vanishing Men"

Even so, a sepia lobby card was released for the serial that includes the promo shot — and the mystery object appears in the lobby card.

"The Valley of Vanishing Men": Fight sequence on Nyoka Summit

I was hoping the serial itself might hold a clue to the mystery object, and sure enough, the table with the box on it turns up right where it's supposed to be, on top of Nyoka Cliff.

The object is the focus of a big fight near the end of the serial. Even without already knowing that the mysterious box was positioned atop Nyoka Cliff, the location could be pinpointed by a number of background features.

The hill in the background turns up regularly in Iverson productions and is known to locals by a number of names, including Sunset Peak, Retz Peak and Rockridge. I've been calling it "Elders Peak" in my research for years.

Sunset Peak and the view looking south from the Iverson Gorge in modern times

Sunset Peak continues today to dominate the view to the immediate south of the former Iverson Ranch.

"The Fighting Seabees" (1944): John Wayne & Co. on Nyoka Summit

The tree, too, has quite a movie history, including an appearance in the John Wayne movie "The Fighting Seabees." I did a detailed post about "Seabees" back in 2015, which you can see by clicking here.

"The Valley of Vanishing Men": Bad guys with a "blinker"

About that mystery object, it turns out to be an old-fashioned signal box, or "blinker" — a wooden box containing a lighting element and shutters, used to send messages in Morse code.

Sending a signal to the rest of the gang

The signal box is an important plot element in "The Valley of Vanishing Men," where the bad guys use it to send signals to other gang members to advance their nefarious plot.

Bill Elliott, center, and Slim Summerville seize control of the signal box

Remember that big fight that was going on earlier? Thanks to that fight, Wild Bill and his sidekick "Missouri Benson," played by the lean and lanky Slim Summerville, were able to get their hands on the blinker.

Slim stands guard while Wild Bill harnesses the power of the blinker to foil the bad guys' plan

As clunky as the device may seem today, back in the Old West it would have been state-of-the-art. It must have been solar powered, since they didn't have extension cords or Duracell batteries yet.

Sadly, the device ends up getting shot up in one of the serial's many gun battles. Still, I appreciated the unusual showcase for the old-school signaling device, as you just don't see a lot of these blinkers in old Westerns.

The serial also includes shots of that ladder seen in the promo still.

"Valley of Vanishing Men": A network of ladders ascending Nyoka Cliff

These shots reveal something I found surprising: The ladder section seen in the promo shot is just one part of an elaborate network of ladders extending all the way down to the floor of the Gorge.

Near the base of Nyoka Cliff, the bottom section of the ladder leans against a distinctive angular rock. In this sequence two bad guys escort a female hostage up the ladder.

That angular rock can still be seen today near the base of Nyoka Cliff, although the foliage has grown in a bit during the 75 years since it supported the ladder in "The Valley of Vanishing Men."

At the top of the angular rock is a platform between two main sections of the ladder.

Bill Elliott, chasing after the outlaws in an attempt to rescue their hostage, begins what will be a long and treacherous ascent of the ladder.

In this shot Wild Bill has arrived at the platform and prepares for the scariest part of the climb — up to the summit.

The ladder sequence appears to be filmed almost entirely on location. Lurking in the background, the familiar silhouettes of Garden of the Gods prove that this location shot is legit.

Elliott, who appears in the serial as a character named "Wild Bill Tolliver," works his way up the ladder. This part of the climb almost certainly would have been done by a stunt double.

At the top of the ladder, the leader of the gang barks out signals as he plans the old "knock the hero off the ladder" trick. This shot has a big problem from a continuity standpoint, though ...

Readers who are familiar with the Iverson Gorge may recognize some of the jagged rocks along the edge of Nyoka Cliff in the background. This shot would have had to be filmed from the opposite side of the Gorge.

Scene filmed in the Camera Mount area, with Nyoka Cliff visible to the east

In a wider shot showing the gang and their hostage supposedly at the top of Nyoka Cliff, it becomes painfully obvious that this shot is not taken on Nyoka. The cliff can be seen in all its glory across the Gorge.

There's a good reason for shooting the scene this way: It would have been too dangerous to mess around at the actual edge of Nyoka Cliff. Still, to anyone who pays attention to the rocks, this is a pretty big goof. 

I got my hopes up for an even juicier continuity error, hoping to spot the actual ladder across the Gorge. Alas, no such luck — the picture isn't clear enough to be sure, but the ladder does not appear to be in place.

Vultura's Palace in "Perils of Nyoka" (Republic, 1942)

"Perils of Nyoka," the serial that gave Nyoka Cliff its name, filmed on the Iverson Ranch earlier in 1942, with "The Valley of Vanishing Men" arriving later that same year to film in many of the same areas on the Lower Iverson.

"The Valley of Vanishing Men": Accidental glimpse of Vultura's Palace

As it turns out, "Valley of Vanishing Men" captured a few artifacts left over from "Perils of Nyoka" on film. One of these is the front of Vultura's Palace, which can be spotted in the background as Bill Elliott rides the Upper Gorge.

"The Valley of Vanishing Men" came out about six months after "Perils of Nyoka," in December 1942, suggesting that the palace set must have remained in place for a while after shooting wrapped on "Perils."

"Perils of Nyoka": Fake cave entrance in the Iverson Gorge

It just gets "curiouser and curiouser," to borrow a favorite quote from "Alice in Wonderland." Another artifact from "Perils of Nyoka" turns up in the strangest place in "The Valley of Vanishing Men."

This fake cave entrance, built in the Iverson Gorge for "Perils of Nyoka," was seen a lot in that serial, and then apparently was left behind when the Republic crew wrapped up its location shoot.

"The Valley of Vanishing Men": Fake building front in the Iverson Gorge

Then when "The Valley of Vanishing Men" arrived, the production team built this modest structure — just a fake front — in exactly the same spot where the fake cave entrance had been filmed in "Perils of Nyoka."

The curious thing about this building is that it reveals not only that the fake cave entrance left over from "Perils of Nyoka" remains at the site, but also that it was incorporated into the new construction.

Columbia and Republic were competitors in the low-budget matinee cliffhanger space, so it's a hoot that Columbia came along a few months after the "Perils" shoot and quietly "borrowed" Republic's fake rocks.

"The Valley of Vanishing Men": A look inside the building

Apparently Columbia really wanted to have a fake cave inside its fake building. On occasion the building's doors open and we can see that much of the "Perils of Nyoka" fake cave entrance is indeed inside the building.

In fact the fake "Perils" cave forms much of the interior of the building.

Here we get a good look at the fake boulders inside the "Valley of Vanishing Men" building — and can confirm that they are a perfect match for the fakes seen in "Perils of Nyoka."

I found a lot to like in "The Valley of Vanishing Men" when it comes to Iverson Movie Ranch locations, but I have yet to find a version with upgraded picture quality. I hope somebody will eventually remaster these old serials.

Friday, September 25, 2015

"The Life and Legend of Wyatt Earp" reveals a previously unknown fake cave in Garden of the Gods

"The Life and Legend of Wyatt Earp"

The Iverson Movie Ranch was home to a number of well-used fake caves and fake mines during the filming days, but I recently heard about a little-known one that was set up in Central Garden of the Gods in the late 1950s.

"Wyatt Earp" episode "Frontier Surgeon"

Iverson researcher Cliff Roberts noticed the cave in "Frontier Surgeon," an episode of the TV series "The Life and Legend of Wyatt Earp." The episode premiered Jan. 19, 1960, and would have been shot in 1959.

Phantom — the north face

The cave entrance appeared over a large crack on the south side of Phantom, one of the most iconic boulders in Garden of the Gods. The above photo from recent years shows the more familiar north side of Phantom.

"Tennessee's Partner" (1955): Anthony Caruso in the crack on the south side of Phantom

The crack on Phantom's south side is famous in its own right, having played a pivotal role in the RKO Western "Tennessee's Partner." Spoiler alert: Skip ahead if you don't want to know that a certain U.S. president gets gunned down near here. As Iverson location shoots go, that "Tennessee's Partner" sequence is a barnburner.

"Frontier Surgeon": Fake cave built over the crack

The crack on the south side of Phantom is right where the fake cave was built that appears in "Wyatt Earp." This area is "Grubstake's Claim," so named after its role in "Tennessee's Partner."

Damian O'Flynn guest stars on the episode as Dr. Goodfellow, the "Frontier Surgeon" of the title. The other two guys are series regulars.

At one point in "Frontier Surgeon," bad guys start pouring out of the fake cave, guns blazing.

This wide shot gives a better idea of where the cave was located. Besides the famous scene in "Tennessee's Partner," the same area in Central Garden of the Gods was where Elvis Presley filmed the original tent scene for "Harum Scarum" in 1965. A few feet away and a few years earlier, wild boars caused trouble in "Old Yeller."

The shot is taken with the camera aimed toward the west, with a hazy view of the Santa Susana Mountains in the distance, to the west of the Iverson Movie Ranch.

This is a shot I took not long ago of that same part of the Santa Susana Mountains. This ridge west of Garden of the Gods, which I call Boat Hill, can be spotted in the background in a lot of old movies and TV shows.

Here's another recent shot that includes Boat Hill. Part of Central Garden of the Gods can also be seen in this photo, including the important marker Getaway Rock.

Getaway Rock turns up again in the "Wyatt Earp" sequence, as noted here. Also note the large bump on the rock on which Wyatt Earp is leaning as he and his associates get the jump on the outlaw gang.

This photo from a recent visit captures the same bump on the rock, near the top left corner, along with a partial view of Getaway Rock, to the left of the bump.

The angle here is different from the one seen in the TV show. You may or may not be able to match up the bumps in the two shots, but other features are readily identifiable.

The horizontal lines can also be seen in the "Wyatt Earp" shots.

This shot from "Wyatt Earp" has it all: the bump, the horizontal lines, a tiny semblance of the diagonal crack where the fake cave entrance construction begins ... and the entrance itself.

The bump, the lines and the cave are all noted here.

A huge diagonal crack appears in the recent shot, near the right end of the horizontal lines, but does not appear in the "Wyatt Earp" shot. That's because in the TV show the crack marks the beginning of the section of the rock that is filled in with material forming the fake cave entrance.

"Tennessee's Partner"

The huge crack is also visible in the shot of Anthony Caruso from "Tennessee's Partner."

In "Tennessee's Partner," we also get a good look at the main cave area, just to the right of the diagonal crack. The cave, which is shallow, appears in its natural state in the movie — in contrast to the "enhanced" artificial cave we see in "Wyatt Earp."

How about a special shoutout to this important little diagonal sliver of shadowy intent — I mean, sliver of a shadowy indent — pointing the way to where the fake cave material begins, to the right.

I'd say roughly this much is fake. I don't know, fake caves can be pretty lame. Speaking from the heart ... I won't come out and say this one is lame, but let's just say it's not the most convincing fake cave ever seen.

Lane Bradford, in "Wyatt Earp"

I'd be remiss not to point out Lane Bradford, one of the most familiar bad guys in the B-Westerns.

He's right here in all those shots of the cave. His character in the "Wyatt Earp" episode is "Swanee." Having a character name can be an upgrade for a TV outlaw. Bradford was often billed generically as "henchman."

Lane Bradford, right, with fellow outlaw Jimmy Noel in the "Wyatt Earp" episode

Bradford never lost his stride when the Westerns shifted to TV in the 1950s. The prolific actor tallied in the ballpark of 250 credits, about evenly distributed between B-Westerns and TV series.

Note the chin on Bradford — his trademark chin signifies both strength and weakness. Mostly strength — he was a formidable thug. On the other hand, as a perennial outlaw, sometimes his job was to make dumb decisions. My guess is Lane Bradford the actor was a man of high intellect who knew how to maximize his assets.

That chin can be hard to miss. In this shot it almost looks as though it's drawn in. Bradford wasn't the only tough outlaw in the Westerns to boast an awe-inspiring chin, but he may have been the most memorable.

Today a tree gets in the way, but this is a look at Grubstake's Claim on the south side of Phantom.

The same diagonal crack and main cave entrance can still be found.

A wider shot shows more of the south side of Phantom, but this is mainly a better look at the tree that makes access to the cave a challenge.

Swanee, played by Lane Bradford, schemes to get the dying man's money

In some "Wyatt Earp" shots we catch glimpses of an indented area on the rock, to the right of the fake cave. In this shot it's near the top left corner.

Take a look at this indented area.

I took this photo of the same indented area on a recent visit to the site.

This is the distinctive indented area on the rock.

Also here we see some worn signs of old graffiti.

Graffiti near entrance to Grubstake's Claim (2011)

The graffiti has been there for some time. It already looked worn-out — and appeared exactly the same as it does now — when I took this photo back in 2011.

One of the many interesting features of the cave area is this hole.

Going back to that original screen shot of Anthony Caruso from "Tennessee's Partner," notice that the same hole is seen in the movie, and it has what appears to be some kind of metal blade sticking out of it.

I have this other angle on the metal blade, but it doesn't add much. The "shiv" and its shadow can be seen in the bottom right corner. The hole's origin story remains untold, although we know it predates the "Wyatt Earp" cave.

"Outlaws of Boulder Pass" (1942): Phantom Shack

It should be noted that the same site was home to the Phantom Shack in the 1940s. If I had to guess I'd say the hole is most likely an artifact of this period and probably originally helped hold the shack in place.

"Six Gun Gospel" (1943): Phantom Shack

But even if the hole originated as part of the support system for the Phantom Shack, it may have been called upon again in 1959 to serve as an anchor point for the fake cave in "Wyatt Earp."

"The Life and Legend of Wyatt Earp"

While many of the fake caves and fake mines on the old Iverson Movie Ranch stood for years and were used repeatedly, the fake cave seen in "Wyatt Earp" appears to have been in place for only a short time — possibly for a single production.

"Tennessee's Partner": Anthony Caruso holds Grubstake McNiven's claim sign

In telling the tale of Grubstake's Claim out behind Phantom in "Tennessee's Partner," the movie goes so far as to display the claim sign. In a way, the sign works not only to stake Grubstake's claim in the movie, but also to stamp this historic filming location as "Grubstake's Claim" ... at the risk of over-romanticizing the movies.