Why we love old movie locations — especially the Iverson Movie Ranch

For an introduction to this blog and to the growing interest in historic filming locations such as the Iverson Movie Ranch — the most widely filmed outdoor location in movie and TV history — please read the site's introductory post, found here.
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Showing posts with label location verite. Show all posts
Showing posts with label location verite. Show all posts

Friday, January 9, 2015

A reflection on Steve McQueen at the Iverson Movie Ranch, in "Wanted: Dead or Alive"

"Wanted: Dead or Alive" (1958) — Steve McQueen and Wrench Rock

I'm a fan of Steve McQueen and a fan of Wrench Rock, so seeing the two of them "work together" in an episode of "Wanted: Dead or Alive" is a treat. The episode, "The Favor," premiered Nov. 15, 1958, during the first season of the CBS Western series. "The Favor" featured an extensive shoot on the South Rim of the Upper Iverson.

On the unlikely chance that you're planning to watch this episode of the show anytime soon, I will warn you now that this blog post WILL give away key plot points.

It goes without saying that Steve McQueen was cool. But as if he needed to prove the point, here he is, rolling a cigarette on the South Rim. McQueen starred as bounty hunter Josh Randall in the series.

Steve McQueen and his trademark "Mare's Leg" repeating rifle make a point 
to Skip Homeier in "The Favor" — the scene is shot on Iverson's South Rim

The plot has McQueen trying to bring in a wrongly accused guy played by veteran character actor Skip Homeier. For the shoot, both Homeier and McQueen romped all over the rocky South Rim and up onto Cactus Hill, with the episode offering nice views in particular of Bobby's Bend, the section of the South Rim where most of the photos in this post were shot.

Steve McQueen on the South Rim

The episode is directed by B-Western veteran Thomas Carr, who was a regular at Iverson throughout his long career in feature films and TV. Carr may be best known for his directing on the TV shows "Adventures of Superman" and "Rawhide," in additon to many episodes of "Wanted: Dead or Alive."

Even though Homeier's character is McQueen's quarry, some bonding occurs between the two men, and they form the beginnings of a friendship.

McQueen and Wrench Rock again — because, why not?

McQueen casts an eye toward the clifftop above Wrench Rock, where Homeier is hiding out after escaping. The scene is shot in "location verite" style, to some extent, meaning that in the real world of the filming location, the clifftop area above Wrench Rock is where Homeier was in fact located as he was being filmed.

Skip Homeier makes a run for it across Rooster Foot Gulley

Rooster Foot Gulley is located on top of the T-Cliff on the northern edge of Cactus Hill, overlooking the South Rim. You may recognize a number of background features in this shot, which looks toward the east.

While Rooster Foot Gulley itself is relatively rare, the other features noted here are commonly seen in productions filmed on the Upper Iverson. Please click on the links in this sentence to see previous posts about Rooster Foot Gulley, Two-Humper and Turtle Rock.

Dummy drop in "The Favor" — unintentionally funny

One of the pivotal sequences in "The Favor" includes an obvious "dummy drop." Not to disparage the show, but dummy drops are almost never convincing, and this one did elicit a spontaneous chuckle. Still, the scene provides a nice look at the Reflecting Pool, as seen from the top of the T-Cliff above the South Rim.

Splash! — The dummy lands in the Reflecting Pool.

Following the dummy drop, the body of Homeier's character lies in the Reflecting Pool below the T-Cliff.

A contemplative McQueen ponders the death of a man he had come to like.

In his moment of reflection, McQueen happens to be standing next to the Reflecting Pool, which is kind of a nice touch. (Even though that name for the pool would not have been in use yet at that time.)

In an unusual effect, rays of sunlight dance up and down over McQueen, reflected onto him by the ripples in the Reflecting Pool caused by Homeier's plunge.


For more of what the Reflecting Pool is all about — and yet another use of "reflecting" as a pun — please click here.

Friday, February 1, 2013

Location verite: You can visit the spot where Ronald Reagan was gunned down

The 1955 RKO Western "Tennessee's Partner," starring Ronald Reagan, John Payne, Rhonda Fleming and Coleen Gray, has one of my favorite Iverson Movie Ranch sequences, shot in Garden of the Gods. It's the climactic sequence of the movie, and it takes place in an area that has been preserved as a park and remains open to the public.

"Tennessee's Partner" (1955): Ronald Reagan at the Miner's Cabin

Reagan plays a character known only as Cowpoke — he's the "Partner" in "Tennessee's Partner." Here's a shot of Cowpoke from early in the movie, at the Miner's Cabin — also known as the Lone Ranger Cabin — which was located on the Upper Iverson. The stone foundation visible at the bottom of the photo is still in place at the site.

Foundation of the Miner's Cabin in recent years

This is what's left of Miner's Cabin today — the stone foundation and front steps. The two largest rocks toward the left of the photo are the same as the two big rocks at the bottom left of the Reagan photo at the cabin, above.

Stop reading here if you don't want to know what happens in the movie, as I have to reveal it to show what happened to Reagan's character and where it all went down. Cowpoke meets his demise toward the end of the movie, setting up the climactic chase and fistfight. He's gunned down in an underhanded way by a sniveling weasel named Turner, played by veteran character actor Anthony Caruso. Cowpoke dies heroically, stepping in front of a bullet from Turner, intended for Cowpoke's friend Tennessee.

The shooting takes place near Grubstake's Claim, which in reality is a shallow cave on the back side of a familiar sandstone giant known as the Phantom. That's the weaselous Turner holding Grubstake's sign as Turner tries to take over the claim. The back side of the Phantom is in the background.

Turner takes cover just inside the entrance to Grubstake's Claim — actually a shallow indentation in the rock and not the full-on mine or cave the filmmakers made it out to be.

The site of Grubstake's Claim in modern times

Here's a shot of Grubstake's Claim as it appears these days. You may be able to match up both the main "mine entrance" at the center of the photo and the small diagonal crack in the rock seen at the left. That smaller crack can also be seen in the screen shot above of Turner holding the sign. The site is a little less accessible today, with some foliage blocking the view.

This is the scene moments before Reagan's character, Cowpoke, takes the fatal bullet. That's Reagan in the light-blue shirt. He and his partner, Tennessee (John Payne, at the right), appear to have captured Turner — but they don't realize that the slippery villain is carrying a concealed handgun.

The sequence is filmed in what I call "location verite," meaning if someone runs off in a certain direction, the next shot really takes place in that direction, not somewhere else that may have been more convenient — or cheaper — to shoot. The characters are in approximately the same position in both of the above two shots — filmed first from the back and then from the front. If you go to the site today you can find all of the rocks in this sequence — although the huge tree in the above shot is not there.

Reagan's character is not aware he's about to die. As he and Tennessee are preoccupied with the sheriff, who came up behind them, Turner, at center, goes for his gun.

In this shot, Reagan has just taken the bullet. Turner's about to make his getaway and Tennessee, at the right, missed the whole thing because he had turned around to face the sheriff. Grubstake's Claim in the background pinpoints the spot.

Reagan's death scene — Cowpoke's last words to his friend Tennessee.
Here's where Cowpoke fell dead, in central Garden of the Gods.

In the movie, Turner makes a run for it ...

The getaway site as it appears today — Getaway Rock on the right

Here's that same spot during a recent visit, including the large boulder on the right, which I call Getaway Rock because of its role in this sequence. I walked the area with screen shots and was able to trace the path of the action and find where every shot was taken — thanks to the movie being shot in location verite.

Tennessee takes off after Turner, catches him, and they launch into an epic fistfight, all of which is captured in a series of lavish shots of rarely filmed rock features on the west side of Garden of the Gods. In the above scrape, Turner starts to get what's coming to him, being flung over a sharp-edged rock by an enraged Tennessee.

The sharp-edged rock today

Here's the same spot in recent times — still easy to get to and easy to find if you follow the action in the movie. Many of the same rocks can be seen in both of the above two shots. The movie shot was taken from a distance with a long lens, which accounts for the rock in the background (behind the dead tree in the movie shot) appearing closer in the movie than in the recent photo. That background rock is one of the highest in Garden of the Gods.

Here's another view of the fight scene today, from a reverse angle. The big rock that dominates this shot — a mighty distinctive critter — appears on the left in the previous shots. The "sharp-edged rock" appears here as the small, triangular one in the foreground, toward the left.


Below is a clip from "Tennessee's Partner" containing the climactic sequence — including most of the rocks mentioned above:



Location verite is a technique that was rarely used in the B-Westerns, where keeping costs to a minimum was the guiding principle. It's refreshing to find it here, and it's an indication the movie probably had a little bigger budget. It's a good technique from the standpoint of realism, and as a bonus it makes it easier to do location research.


Click here for a little more about the "Tennessee's Partner" shoot in a blog post mainly about the Judy Garland movie "The Harvey Girls," which was partially shot in the same area.