Why we love old movie locations — especially the Iverson Movie Ranch

For an introduction to this blog and to the growing interest in historic filming locations such as the Iverson Movie Ranch — the most widely filmed outdoor location in movie and TV history — please read the site's introductory post, found here.
• Your feedback is appreciated — please leave comments on any of the posts.
• To find specific rock features or look up movie titles, TV shows, actors and production people, see the "LABELS" section — the long alphabetical listing on the right side of the page, below.
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• I've also begun a YouTube channel for Iverson Movie Ranch clips and other movie location videos, which you can get to by clicking here.
• Readers can email the webmaster at iversonfilmranch@aol.com
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Tuesday, February 17, 2015

The Iverson Movie Ranch Western street, one building at a time ... Part VII: The Sheriff's Office

"The Hills of Utah" (1951): The Sheriff's Office

This small, square structure on the east side of the Iverson Movie Ranch Western street, seen here in the Gene Autry B-Western "The Hills of Utah," was all about law enforcement, typically appearing in movies and on TV as a Sheriff's Office or County Jail.

"Night Raiders" (1952)

Whip Wilson holds court outside the Bitter Springs County Jail in the Monogram Western "Night Raiders." Once again playing a law enforcement role is the Iverson Movie Ranch's Sheriff's Office.

This shot of Fuzzy Knight outside the building in "Night Raiders" gives the impression that it's evening, but the shadow of the west-facing building hints that it would have been filmed in the morning.

"The Caravan Trail" (1946) — Lash LaRue, left, and Eddie Dean

Lash LaRue and Eddie Dean collaborate in the PRC B-Western "The Caravan Trail" while the Sheriff's Office, in the background, makes one of its earliest color appearances.

"Oklahoma Justice" (1952)

The sign over the door reads "Sheriff's Office" in the Johnny Mack Brown B-Western "Oklahoma Justice," from Monogram. The movie was filmed by master B-movie cinematographer Ernest Miller, who was behind the camera on some of the greatest Iverson Movie Ranch showcases.

"El Paso" (Paramount, 1949)

The Sheriff's Office did assume other roles from time to time, including appearing as "Joe's Cafe" in the Western "El Paso." That's the Sheriff's Office on the left, lined up next to the two distinctive two-story facades that marked the east side of the street. Another name for the Iverson Western street is El Paso Street.

"The Range Rider" (1953)

The Sheriff's Office made a number of appearances in the TV show "The Range Rider." This one comes from the episode "The Black Terror."

"The Cisco Kid" TV series

Another non-law enforcement role came up in the TV show "The Cisco Kid," where the Sheriff's Office plays a mining supply store. The Sheriff's Office can be seen on the left in this behind-the-scenes shot.

"The Lone Ranger" TV series (1954)

The Sheriff's Office wasn't the most interesting building on the Iverson Movie Ranch Western street, but one fun feature it had was this gate area out back that it shared with the Barn. The gate opened into a large corral occupying much of the space to the east of the town set.

This shot comes from an episode of the TV show "The Lone Ranger" called "The Frightened Woman." The episode premiered Sept. 30, 1954, early in season four of the show's five-season run.

"Ghost Town Renegades" (1947)

The gate behind the Sheriff's Office was typically left open, and the gateway at times provided a "window onto the world," looking south and southeast. This shot from the Lash LaRue movie "Ghost Town Renegades" reveals part of the Eucalyptus Grove along with Cooper Rock.

Cooper Rock is named after Gary Cooper, the man responsible for building the town in 1944, for his 1945 Western "Along Came Jones." This shot also highlights the Eucalyptus Grove, or simply "The Grove."

That's Lash LaRue on the right, along with his frequent sidekick Al "Fuzzy" St. John, eyeing the situation in front of Cooper Rock in PRC's "Ghost Town Renegades." You may or may not have noticed that this blog post has now mentioned both of the two main "Fuzzys" of B-Westerns.

"Silver Canyon" (1951)

Here's a shot taken from a similar angle, but from farther back, with the General Store entering the picture on the left. The shot comes from the Gene Autry movie "Silver Canyon."

Cooper Rock can again be seen in the background, with the camera's telephoto effect making it appear larger and closer than it actually is.

"Night Raiders" (1952)

Either that gate was mighty tall, or Whip Wilson was mighty short — a conclusion that's hard to miss based on this shot of Wilson at the gate in "Night Raiders."

"Calamity Jane and the Texan" (1950)

Dominating the frame in this photo from "Calamity Jane and the Texan" is the General Store, on the left. But the shot provides additional context for the gate, which can be seen in the right half of the frame.

The gate was set back from the street as part of a dirt plaza area shared by the General Store, the Barn and the Sheriff's Office. I'm surprised this plaza area didn't get used more than it did, as it would have been a great place to stage a shootout.


"The Iverson Movie Ranch Western street, one building at a time" is a series of posts on the movie and TV history of each of the major structures making up Iverson's town set, which stood from 1944 to 1957 and appeared in hundreds of productions.



To see all of the posts in the series on the Iverson Western street, please click on the following links:

Part I: Casa Grande
Part II: The Livery Stable
Part III: The Saloon
Part IV: The Hotel
Part V: The General Store 
Part VI: The Barn
Part VII: The Sheriff's Office
Part VIII: The North and South Adobes
Part IX: The Lost Dutchman
Part X: The original north end of town
Part XI: The North and South Towers
Part XII: The Harness Maker
Part XIII: Rainbow Mine Co. 
Part XIV: The Church/Schoolhouse  
Part XV: The Corral Rocks Shack
Part XVI: The decline and fall of the Western street

Saturday, February 14, 2015

How Elvis solved the "Escort West" mystery

"Escort West" (1959): the fake bridge

The location of the fake bridge in the Victor Mature movie "Escort West" managed to elude Western movie historians for decades. But thanks to Elvis Presley — and some collaborative sleuthing by determined location researchers — the site has been found.

The first Elvis movie: Neville Brand, left, and Elvis Presley in "Love Me Tender" (1956)

It took two location experts on opposite coasts, with two different research focuses, putting our heads together to unlock the mystery. One of them was Bill Bram, East Coast-based author of "Elvis: Frame by Frame," a highly regarded reference work on Elvis movie locations.

Promo still for "Harum Scarum" (1965): Elvis Presley at Iverson

Bill and I got together over a different Elvis movie, "Harum Scarum," in which Elvis scampered among the rocks of the Iverson Movie Ranch. I posted a blog entry back in October about the Elvis shoot at Iverson for "Harum Scarum" — but I have to admit, I knew less then about Elvis locations than I do now, thanks to working will Bill.

"Love Me Tender" (1956): Elvis Presley, Debra Paget and a fake cave

During our discussion of the remaining location mysteries in "Harum Scarum," the topic came up of "Love Me Tender," the 1956 Western in which Elvis made his acting debut. Bill mentioned that he had hit a dead end trying to find a particular filming location for the movie, and he sent me a few screen shots. When I got them I'm sure I let out an audible gasp: I was looking at the fake bridge from "Escort West."

"Escort West" — fake bridge sequence shot at Bell Ranch

It turned out Bill and I had been looking for the same spot. Neither "Escort West" nor "Love Me Tender," taken individually, provided sufficient clues to solve the location mystery, but when we put together shots from both movies, we had what we needed.

Site of the former Bell Location Ranch — Lower Plateau (2015)

It has been generally accepted among film historians that the fake bridge — or fake cave, as it appears in the Elvis movie — was located somewhere on the former Bell Location Ranch, west of the San Fernando Valley in Southern California. The question was always: OK, but where, exactly?

"Love Me Tender": Elvis on "the Rocky Hill"

The movie prop was filmed on a mystery hillside that Bill calls "the Rocky Hill." It was on the Rocky Hill that Clint Reno, the character played by Elvis in "Love Me Tender," met a violent fate in the movie's climactic sequence. Indeed, in a purely cinematic sense, we were looking for the place where Elvis died.

Debra Paget in "Love Me Tender"

It was all about a girl, of course — Cathy, played by Debra Paget, who also put in time on the Rocky Hill.

The Rocky Hill — shooting site for "Love Me Tender" and "Escort West"

Within a couple of months of our first examining the "Love Me Tender"/"Escort West" connection, Bill and I, along with location researcher Cliff Roberts, mounted an expedition to the former site of the Bell Location Ranch in search of the elusive hill. We found the Rocky Hill with relative ease — but climbing to the site of the fake bridge took some effort.

Much of the filming took place near the top of the Rocky Hill. Even with the area more cleared-out then than it is today, it would have been a logistical challenge to haul movie gear up to the spot. I've been exploring the theory that they came down from the top, but it does not appear that it would have been any easier.

The exact location where the fake bridge stood

Needless to say, we did make it up that hill. The above photo shows the site where the mythic movie prop once rested, and where Elvis, in a jealous rage, orchestrated a violent standoff at the end of "Love Me Tender."

Poison oak protects the spot today

The area today is overgrown with dense brush and riddled with poison oak, but almost nothing will stop a location researcher closing in on an important filming site.

Here's a side-by-side comparison of the location then and now. On the left is "Escort West," an early 1959 release that would have been filmed in 1958. The shot on the right is from the recent Bell Ranch excursion.

"Love Me Tender": wide view of the fake cave area

A wide shot from "Love Me Tender" shows the full span of the fake cave, along with some of the surrounding features. Both "Love Me Tender" and "Escort West" were originally released in CinemaScope, with its ultra-wide 2.35:1 aspect ratio.

It should be noted that a portion of the material supporting the main beam was also fake.

Where the fake beam would be today

This shot approximates where the movie prop would be positioned if it were still in place.

Dimple Rock in "Love Me Tender"

The rock behind which Elvis and Neville Brand take cover in "Love Me Tender" is referred to as "Dimple Rock" here, because of the indented area near Presley's hand. Also note that the fake cave is visible behind Elvis.

Dimple Rock remains in place directly in front of the area where the fake cave was positioned.

Dimple Rock today

The dimple remains evident today, making it easy to get a positive ID on Dimple Rock.

An intriguing footnote to the location discovery is the presence of two large "intruder rocks" in the midst of the setting. These rocks were not present when "Love Me Tender" and "Escort West" were filmed in the 1950s.

Another look at the "Escort West" shot confirms that the intruder rocks were nowhere to be seen in 1958. The rocks would have been right in the way of the bridge structure, blocking the area where the actors are standing.

The best explanation for the intruder rocks is that they rolled down the hill from above, possibly during one of the two major earthquakes to hit Southern California in the decades since the movies were filmed — the Sylmar/San Fernando shaker back in 1971 or the Northridge quake of '94.

Intruder rocks — bird's-eye view

The view from just above the intruders provides evidence for the earthquake theory, with a large crack running through the rock in the back. It makes sense that after the first rock came to a stop, the second rock would have broken into two pieces when it crashed into the first rock.

Note that the intruders would have had an ideal "chute" to roll down, at top right, before coming to a stop in exactly the spot where the movie prop once rested.

Bell Location Ranch: Well off the beaten path

The picturesque Bell Ranch pretty much defines "off the beaten path" when it comes to location ranches. With a film history said to date back to the silent era, the site remains largely undocumented. But in recent years it has begrudgingly begun to yield clues to its many filming location mysteries.

"Star Trek" TV series: "A Private Little War" (1968) — shot on Bell Ranch

I've been lucky enough to be a part now of two successful Bell Ranch location hunts — the Elvis/"Escort West" expedition earlier this month, and a "Star Trek" search two years ago. I blogged about the "Star Trek" expedition at the time, and you can see that post by clicking here.

"Bonanza": Dan Blocker at Bell Ranch in "The Rattlesnake Brigade"

Another Bell Location Ranch shoot that may be of interest to readers of this blog is featured in the "Bonanza" episode "The Rattlesnake Brigade," from 1971. That shoot, which you can read about by clicking here, took place right at the base of the Rocky Hill.


Off the Beaten Path is a series of posts that are not specifically focused on the usual subject matter of this blog, which is the Iverson Movie Ranch. Past subjects have included Pioneertown, Corriganville, Oak Park and other old filming locations. You can go directly to the Off the Beaten Path posts by looking up the term "Off the Beaten Path" in the long index of labels at the right of the page, or by clicking here.

Thursday, February 12, 2015

The Iverson Movie Ranch Western street, one building at a time ... Part VI: The Barn

"Along Came Jones" (1945): First glimpse of the Western street

This almost unnoticed peek at the Iverson Western street's Barn near the start of "Along Came Jones" marks the first appearance by any of the town's buildings in any production.

The shot is taken with the camera looking north, and along with two of the movie's stars we see Smooth Hill at top left and the Oat Mountain area along much of the top of the frame.

"Check Your Guns" (PRC, 1948): The Barn

Located out in back of the General Store, the Barn wasn't really much of a barn. It was smaller than a typical barn, just a single-story building, with a generic wooden cabin design. It wouldn't have been a great place to keep horses, although it was adjacent to a decent-sized corral — part of which is visible in the background, at right.

"Ghost Town Renegades" (1947) — the Barn (left), Cooper Rock (center) and the Sheriff's Office (right)

The Barn was set back from the street, and along with the General Store and the Sheriff's Office formed the three sides of a small dirt "plaza," seen in the foreground in the above shot. The corral is again visible out back, along with Cooper Rock and part of the Eucalyptus Grove.

"El Paso" (Paramount, 1949)

Surrounded by barrels, a lawman takes a defensive stance on the front deck of the Barn in "El Paso."

"The Hills of Utah" (1951)

Gene Autry chats up a wagon driver in the B-Western "The Hills of Utah." In the background is the Barn, at right, with a section of the General Store on the left.

"Check Your Guns"

Perennial B-Western henchman Lane Bradford, left, is just one of the bad guys working for I. Stanford Jolley, second from left, and hanging out in front of the Barn in PRC's "Check Your Guns."

"The Adventures of Rin Tin Tin" (1955)

We don't often see the Barn from this angle. This shot of the building's southern face — probably its most "barn-like" profile — comes from the "Rin Tin Tin" episode "Ghost Town," which premiered April 22, 1955.

The roof of the General Store, to the north of the Barn, is seen in the background. An interesting feature of this shot is the large rock immediately south of the Barn, which was usually hidden from view.

"Along Came Jones" (1945)

Taking another look at that first appearance in "Along Came Jones," we find proof that the rock next to the Barn was in fact there all along.

"The Virginian" TV series (1963): Iverson Pond with Pond Rock and the "hidden rock"

The "hidden rock" that previously sat next to the Barn turns up again later — after the town set was torn down and the area was converted into a water feature known as Iverson Pond. This shot, taken with the camera looking north, comes from an episode of the Western series "The Virginian" called "Strangers at Sundown."

Both Pond Rock and the hidden rock are noted here. Pond Rock was just north of the General Store and the hidden rock was just south of the Barn, so these rocks are a big help in visualizing where the Western town was previously located. The street would have stretched from just to the left of Pond Rock, angling toward the camera and toward the bottom left corner of the shot.

"The Virginian": Another view of the "hidden rock"

Iverson Pond could be quite picturesque, depending on how it was filmed. Another shot from "Strangers at Sundown" looks more toward the east, with the hidden rock again a part of the idyllic setting, just below the stagecoach team. The "Virginian" episode premiered April 3, 1963 — the same year this section of the location ranch was sold off to be developed into a mobile home park.


"The Iverson Movie Ranch Western street, one building at a time" is a series of posts on the movie and TV history of each of the major structures making up Iverson's town set, which stood from 1944 to 1957 and appeared in hundreds of productions.



To see all of the posts in the series on the Iverson Western street, please click on the following links:

Part I: Casa Grande
Part II: The Livery Stable
Part III: The Saloon
Part IV: The Hotel
Part V: The General Store 
Part VI: The Barn
Part VII: The Sheriff's Office
Part VIII: The North and South Adobes
Part IX: The Lost Dutchman
Part X: The original north end of town
Part XI: The North and South Towers
Part XII: The Harness Maker
Part XIII: Rainbow Mine Co. 
Part XIV: The Church/Schoolhouse  
Part XV: The Corral Rocks Shack
Part XVI: The decline and fall of the Western street